Edgar Ramirez Quotes
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To portray not only a boxer but a boxer like Roberto Duran, I needed to understand all the difficulties and the pressures of the sport itself.
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My father was a military attache, so I've been traveling all my life.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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Men are taught that if we are not the ultimate provider, we are a complete failure. We have to be number one in everything we do. There is nothing more delusional or paralysing than what I have just described.
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If you get conquered by ego, then you are losing the fight.
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Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
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Panama is a country that's been dealing with issues of identity since its very birth. It was born on Wall Street. It was born out of engineering construction. It was the canal. Because of the canal, the country was born, so the country has been divided into pro-canal and against-canal people for so long.
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I had to understand the whole bounty hunting thing, because we don't have that in Venezuela. Nothing similar at all, at least not legal.
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Duran is a mythological figure in Latin America. He grew up in a time of turbulence because Panama was basically occupied by the United States. So he felt obliged to fight Americans in the ring. He felt the whole pride of his country and the need for cultural and political emancipation in his hands.
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I thought I knew how to work out before I immersed myself into boxing. I now know what an extreme workout really is.
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We are all seduced by charismatic people, whether it's in your office or in the bus or in the train. There are people who just, like, come through the door, and everybody turns around and looks at them and feels drawn to them.
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The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
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I majored in political communications, so I intended to be a diplomat.
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That's what happens in a good horror movie: there are always metaphors of greater subjects like humanity and empathy and compassion. It's not about the action and scary moments: You really care about these characters because they're mirrors of our own reflections.
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I'm just the second Bodhi. I think there will be more. I have the feeling this is only the first re-imagination of 'Point Break'.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
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Who said that being Latino is to be a stereotype? Characters are stereotypes when making plans or without shades. I do not believe in the picture or model established in the movies.
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Everything goes in waves. Evolution goes in waves. The ocean goes in waves. Energy goes in waves. Sound travels in waves.
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If my subject is alive and is willing to talk to me, I will do it. But I always try to find people who were close, like lovers and family members and work colleagues - because we are what we think we are, but we're also the perception that others have of us. The truth is a sphere. There's always a hidden face.
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I'm definitely interested in exploring human contradictions. Contradictions are what make us human - it's what defines us as human beings. Contradictions are what make characters interesting, and I've been lucky to be presented with characters who have a lot of contradictions.
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I think that, in the end, the military behavior and intelligence services are not very different from each other. It's an attitude of hunters; they're observing the prey.
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I think that every male actor fantasizes with a boxing film.
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I belonged to the 'Point Break' generation - I watched the original when I was 13 years old. It's basically the story of the rescue of the human spirit, and we continue to fight that same spiritual battle, but with a political expression.
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I'm very physical. I love to work out; I'm very athletic. It's a great therapy, not only for my body, but for my mind.