Edgar Ramirez Quotes
I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
Quotes to Explore
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Some reporter called me 'the angriest gay man in the world' or some such. Well, it stuck, but I realized it was very useful.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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But the process of making a film is not glamorous. Certainly not my films.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
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Why are there trees I never walk under but large and melodious thoughts descend upon me?
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Through all the bad guys that I've played, they're justifiably bad - they have their reasons. It's been important to me.
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There's very little you're not exposed to in New York City, in terms of ideas and physical things - sights, sounds, smells, different kinds of people. But one good thing about growing up fast is you get over it fast, too.
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There is only one thing keeping us from having heaven on earth: we can't believe it! Why? Because we don't want to be wrong - so we'll be right and make it hell!
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On Earth, men and women are taking the same risks. Why shouldn't we be taking the same risks in space?
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It is very difficult for me to speculate as to how long it will take for the LTE-TDD ecosystem to mature. Of course, the whole industry is speaking of scale and a combination of scale in order to get more efficiency in the ecosystem.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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There's not a blueprint for me to follow.
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The 'democracy gap' in our politics and elections spells a deep sense of powerlessness by people who drop out, do not vote, or listlessly vote for the 'least worst' every four years and then wonder why after every cycle the 'least worst' gets worse.
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The term 'hero' irritates me greatly.
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I don't have a director. The audience directs me.
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For me, fragrances are very - one of these beautiful art forms that bring about a whole host of things. It's what you want to smell like, it's memories that make you smile or are resonant of times in your life, it can remind you of music. If you're a lover of scent, it's a very kind of particular and evocative thing.
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I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
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Canada is a big part of my life.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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Although I was able to study music with teachers, I never studied lyric writing. I read poetry, and I read other lyricists. But they were never writing in the style or the form that I was interested in.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
