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My grandmother was a minister as well, which was not that common in the 1930s.
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We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
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Forget trying to be sexy. That's just gruesome.
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I have a very long relationship with America. My mother grew up there and I felt to some extent that I partly belong there. I was schooled there briefly for about a year.
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I was in a lake in 'Love Actually', and I was attacked by some hideous aquatic beast and was rushed to the hospital by a man named Rafael! Something stung my elbow, and it blew up to the size of a tennis ball.
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I feel more comfortable in drama. Comedy is a high-wire act. I find it stressful. It's a precision science in a way.
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People have the idea of missionaries as going out with the Bible and hitting natives with it. It's not really what they were doing. They were all doing something rather different.
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'A great British icon' is not the phrase I'd use about anybody, but there are people you admire that happen to be British. I think it's a phrase that gets attached to anyone who's been around long enough to become overfamiliar.
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We've always been involved with America - I have a son who lives there and it's a big part of my life.
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A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
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I've gotten involved in producing now, so the kinds of things that are more my own choice are more possible in that field because I don't have to be castable. I can actually get involved in getting stories off the ground that no one would ask me to be in because I'm the wrong age, the wrong sex, the wrong nationality, or whatever.
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In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
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I can't imagine seeing Batman in black and white. It was such a colourful TV series. I know. I'm ancient. It wasn't abnormal to be without a television in those days. People who had colour were special.
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My singing voice is somewhere between a drunken apology and a plumbing problem.
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People coming up and saying something nice is always welcome. But when you're being secretly photographed, that's not so nice. I would rather shake hands with someone and exchange a few words than take a selfie.
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Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
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Obviously, if people love a movie, and it has the possibility of continuation, then there is going to be a question of whether it's worth doing another one. There's also cynicism and skepticism about sequels.
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Some people would say comedy draws from some dark places, from your dark stuff. Life's great optimists aren't necessarily the funniest people.
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My primary instinct as an actor is not the big transformation. It's thrilling if a performer can do that well, but that's not me. Often with actors, it's a case of witnessing a big party piece but wondering afterwards, where's the substance?
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I think England has served me very well. I like living in London for the reasons I gave. I have absolutely no intentions of cutting those ties. There is absolutely no reason to do so. Certainly not, so that I can have a swimming pool and a palm tree.
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I do notice that when I've been away and I come back to London. People look at you. People are ready to pick arguments.
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One of my grandfathers, actually, having gone out there as a minister, decided he would better serve the people as a doctor. So at a very late age - at the age of 38 in fact - he changed course and decided to become a doctor.
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To be bothered wherever you go - it's not a rational thing to want at all.
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The only reason I'm in 'Kingsman' is because Matthew enjoys playing with the unexpected. I'm not playing Harry Hart because I'm the butchest actor in Britain. I'm playing it because he said I'm the last person anyone would expect to see in that role!