Colin Farrell Quotes
Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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Life is like playing a violin solo in public and learning the instrument as one goes on.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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I'm extremely particular how my look should be in a film.
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I'm happiest when I can just be a director and watch.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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What people don't realize is that Tinder built a brand on more than the experience of the swipe.
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What really interests me is how a woman who has had a bad experience with a man comes through it and gets a new life. I feel you have to be positive. You have to say, 'Look, okay, he's ditched you, but there's life after.'
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Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
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I've only used my own voice about four times on film.
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Each one of us has our own evolution of life, and each one of us goes through different tests which are unique and challenging. But certain things are common. And we do learn things from each other's experience. On a spiritual journey, we all have the same destination.
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I don't often do a lot of that kind of research, but when it's something specific like 'Oz' - which I fortunately did not have a lot of experience with - I will. I read 'The Hot House,' about being on the inside at Leavenworth prison.
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A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
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I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it.
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One thing I love about being back is English rain. Looking out of the window now, it's raining, and the sky is dark; I love it. To me, those are reassuringly English things. I love it when it rains.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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If the money's right, I'll do a film.
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To have nothing to do, to sit there waiting for little aches and pains, is fundamentally wrong. Life has to be lived.
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I think the legacy was set because the way George Mitchell was the leader enabled Tom Daschle to be the leader he is. It carried on the spirit of integrity and of reform, of also working both with committee chairmen but bringing in the newer members to be able to have a voice and a say and participate in the deliberations, to always look at a modern way of doing it.
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The Catholic Church is a weird church. Much mysticism is sown broadspread from its ritual mysteries till it extends into the very lives of its constituents and parishoners.
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The choice is not normally between the north and south. It might be between Britain and Europe.
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Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.
