Dakota Fanning Quotes
When you're acting you put so much of yourself into working. As much fun as it is, it's still hard work and it's still a challenge.
Quotes to Explore
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I like the challenge of growing small companies into big global companies.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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Never despair, but if you do, work on in despair.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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I've made all my money on my own without my family and I work very hard.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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That's my suggestion for kids who want to act, by the way: Make sure it's really your choice, get out of it when it stops being fun, and get an education.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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My ideal relaxation is working on upholstry. I spend hours in junk shops buying furniture. I do all the upholstery work myself, and it's like therapy.
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I am truly at my happiest not when I am writing an aria for an actor or making a grand political or social point. I am at my happiest when I've figured out a fun way for somebody to slip on a banana peel.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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When I first started, I worked with my father, Alex 'Little Bill' Wallace; he was a guitarist like B.B. King. I was around 13 when I started, and I learned a lot by looking and listening. I learned how to be a bandleader from watching that band work.
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Still for fun, I play the drums, but I don't do much recording with them.
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This is what I believe: That we are not pushed from behind by the casual unfolding of historical necessity, but that we are in the grip of an attractor of some sort, which lies ahead of us in time.
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I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.
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When you're acting you put so much of yourself into working. As much fun as it is, it's still hard work and it's still a challenge.
