Dakota Fanning Quotes
Quotes to Explore
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In my town, and especially in my area, there were people from everywhere: Algerians, Senegalese, French people, Asians, all kinds of immigrants and natives, and everyone circulated.
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I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
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The tragedy of all of this is that it happened to me and it shouldn't have happened. It ruined my life and my career. That's the tragedy of this.
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You have to be ready for all the games and be at 100 per cent if you want to win in this League.
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I would love to have been around in the Keystone Studios days.
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Your man wants to know that there's nothing you wouldn't do for him - if that's your committed relationship.
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My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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If there's anything worse than being 16, it's having parents visibly reliving their own teenage years in your anguished presence.
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We all need ways to express ourselves, and poetry is one of mine.
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A woodland in full color is awesome as a forest fire, in magnitude at least, but a single tree is like a dancing tongue of flame to warm the heart.
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But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
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In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
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To play something which is a big spectrum is so much more fun, so much more of a challenge.
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I am a woman of the 21st Century who is self-assured and speaks my mind.
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The fun thing about doing origin stories is you are introducing the audience to characters.
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What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men. That is what love looks like.
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To start with, pharma was an industry based on innovation, drug discovery.
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It doesn't matter if you look different. You're still the same as everybody else because you have the same dream.
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If you don't love what you are doing, it could be misery.
