Dakota Fanning Quotes
Quotes to Explore
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In my town, and especially in my area, there were people from everywhere: Algerians, Senegalese, French people, Asians, all kinds of immigrants and natives, and everyone circulated.
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I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
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The tragedy of all of this is that it happened to me and it shouldn't have happened. It ruined my life and my career. That's the tragedy of this.
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You have to be ready for all the games and be at 100 per cent if you want to win in this League.
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I would love to have been around in the Keystone Studios days.
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Your man wants to know that there's nothing you wouldn't do for him - if that's your committed relationship.
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My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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If there's anything worse than being 16, it's having parents visibly reliving their own teenage years in your anguished presence.
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We all need ways to express ourselves, and poetry is one of mine.
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A woodland in full color is awesome as a forest fire, in magnitude at least, but a single tree is like a dancing tongue of flame to warm the heart.
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But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
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In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
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To play something which is a big spectrum is so much more fun, so much more of a challenge.
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I am a woman of the 21st Century who is self-assured and speaks my mind.
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There's nothing you could say that would shock me.
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Doing the best at this moment puts you in the best place for the next moment.
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I never read my press when I was competing. I never got caught up in what I was doing at that moment.
Gail Devers -
You don't love me. If you really knew me, you wouldn't love me. You love who you think I am. And don't pretend that you know me. Because I don't even know myself.
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I love Paul Giamatti - God, that man is like a walking Chekhov. His connection to humanity is unbelievable, and those feelings of low self-esteem - the way that all comes together on the screen? Delicious.
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If you don't love what you are doing, it could be misery.
