Chuck Klosterman Quotes
Quotes to Explore
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I like buying clothes, especially as I get a tax-deductible allowance.
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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The Carnegie Foundation is well aware of the fact that their reports frequently find their way to dusty archives in academic institutions, but occasionally people pick up a segment of a report and act upon it.
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Your man wants to know that there's nothing you wouldn't do for him - if that's your committed relationship.
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I actually signed on to do 'On the Road' before we started on 'Tron,' but we were in flux for a while, just sort of playing the waiting game, trying to get the right budget and the right cast.
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I'm quite fluent in Telugu now, but there's a difference between talking and dubbing. While dubbing, the diction must be in sync with the emotion in the scene and would impact my performance.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old – obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
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Eros will have naked bodies; Friendship naked personalities.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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I really don't like going out anymore. I used to love it, but now it's not fun. I'd rather have friends come over and hot have to worry about crazy people taking pictures.
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New Zealanders have conventions and pleasantries, but we are direct. We are encouraged to be transparent with our behavior and not to employ passive aggression.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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Theatre gives you wings as an actor.
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But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.
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I was very skinny, braces; so I never thought I would be a model.
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I think what's fascinating is how many people are playing in politics who maybe haven't played before.
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I had no idea what it would be like to be a bomb tech in Baghdad until I got there so I didn't know what to expect. It was very eye-opening.
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I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
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The name ‘London Banker’ had especially a charmed value. He was supposed to represent, and often did represent, a certain union of pecuniary sagacity and educated refinement which was scarcely to be found in any other part of society.
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It doesn't matter what you can do if you don't know why you're doing it.
