Claire Bloom Quotes
Quotes to Explore
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I've matured since joining United, on and off the field.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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Women are not all single-issue voters.
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Because I was a dancer, I started going to auditions for musical theater, which forced me to sing.
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I'm uncomfortable with the limelight. I'm not the type to go to the places where I know I'll be seen. I'd rather keep a low profile.
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People with water-borne diseases occupy more than 50% of hospital beds across the world. Does the answer lie in building more hospitals? Really, what is needed is to give them clean water.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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I am just an actor, but there are these other people who are really selfless. I come from a long line of nurses in my family, and they really do a thankless job.
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Stereotypical vegetarian food looks gray and brown.
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I try to work on my defense every game, every practice.
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If your child is born with a port-wine stain, they should be seen immediately by a pediatric dermatologist. Your pediatrician does not understand these birthmarks as well as a specialist.
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Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
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What is thematically posited is only what is given, by pure reflection, with all its immanent essential moments absolutely as it is given to pure reflection.
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Sometimes in this game it's as good to be lucky as it is to be good.
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Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
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You see people on the street yelling and think they're crazy, but maybe they're just happy and expressing what they feel at all times.
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We have seen that two heads are better than one when dealing with a mental health problem.
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I always follow the same idea: Start small and disrupt to create something big.
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Nobody wants to give up good players.
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If you want to be an artist in the long run, it isn't necessarily a good axiom to repeat formulas over and over until they're used up.
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Unless I can come in in the morning and smile, walk in the lobby and say, 'Good morning!' - if I am stressed - I am not going to do a good job. Everybody is watching us. They are feeding off of our energy.
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'Glass Sword' has several set piece scenes that I plotted out or visualized before I wrote them, but I always knew they were coming. They anchor bits of the story.
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Seattle's support system got me through those early, difficult years. It was a very funky, very friendly, very relaxed place that had it all for a writer.
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I don't think actresses' lives in general are very good.
