Claire Denis Quotes
Quotes to Explore
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Let's judge a man on what he's done.
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In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.
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Example is the school of mankind, and they will learn at no other.
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The love of liberty and the sense of human dignity are the basic elements of the Anarchist creed.
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I love dressing up in superhero outfits and in fact, when I dress up as Wonder Woman, I actually think that I'm more powerful.
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Virtually everything that gets printed about me is wrong anyway, so it doesn't really matter what you say.
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It takes a clever man to turn cynic and a wise man to be clever enough not to.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
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Little boys have amazing minds.
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I've had an interest in politics since I was a little kid.
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We're still leaderless. We still don't have strong organizations that are fighting for us; there isn't a national AIDS organization out there worth squat in my opinion.
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The Web provides a very easy way to immediately grasp what's going on. It really offers the transparency, so you can see, especially with the search engine, how people are using Twitter at one glance. The phone doesn't allow for that.
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Any item of clothing that covers the face and makes it impossible to identify individuals is open to abuse.
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We all have very personal relationships to what happened on 9/11 and the events after tracking Osama bin Laden. Nobody can escape from the influence of that.
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I lost my confidence.
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We never had a huge squad and we never had a great deal of choice. But in many ways that helps because you've got to make do with what you've got. You don't have too many problems about picking the team you just hope that everyone turns up on the day.
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In your 40s, you kind of know how things are likely to go, and you're better at saying, 'You know what? That just doesn't suit me...' I remember thinking in my 30s, 'I should go to Burning Man. I could be a Burning Man person.' And in my 40s, I'm like, 'You know what? I'm never going to go to Burning Man.'
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To give up yourself without regret is the greatest charity.
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I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
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We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
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No matter what you have done to this moment, you get 24 brand-new hours to spend every single day.
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I don't remember being afraid of anything in making films.