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To be weighed down by things - books, furniture - seems somehow terrible to me.
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The relevant question isn't, 'Is this a potential friend for me?' but, 'Is this character alive?'
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You can't make a character do something they wouldn't do.
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If you're writing a thriller, and you don't make it compelling, then you've really not done your job. So it's easier for me not to set out with certain goals, and then I can't see them as unmet. It's like life generally: If I'm not aiming to be physically fit, then I'm not always thinking about being unfit.
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For me, it was a formative experience reading Eliot when I was younger. 'The Waste Land,' in particular.
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I love my books, and with all their dog-ears and under-linings they are irreplaceable, but I sometimes wish they'd just vanish.
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If you're reading to find friends, you're in deep trouble.
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We are all unappealing. It is just a matter of how much we let people see it.
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Everybody's always living in fiction just as much as children, but the way our stories are faked is curtailed by all sorts of narratives we take into our own lives about what are the true narratives and what's not.
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I'm a big believer in the complex realities of young people's lives.
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I have always been interested in that relationship between what happens in our head and what happens in the world.
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In midlife, I feel that my tendency to acquire books is rather like someone smoking two packs a day: it's a terrible vice that I wish I could shuck.
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Obama was the first president whose biography makes sense to me. He can walk into a room anywhere and find common ground with any person.
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The way I saw the world as a child was not wrong. And it's okay to see the world that way. If it doesn't hurt anybody.
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I always say to my students, 'If you can do anything other than writing and be happy, then you should.'
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If I hear a story or a fact about somebody I don't know and have never met, it's like getting a hollow vessel that you can fill up with whatever you want. That's more tempting to me than to try to replicate what I actually know.
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If you live in a family or have five roommates, there's some sort of reality check, but when you live alone, there's a lot more leeway for your fantasy life to be more and more a part of your everyday life.
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Rushing around can be a pointless diversion from actually living your life.
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Especially since having children, a lot of the time if you ask me, 'Have you read that book?' the answer would be 'not personally.'
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I'll always find the hardest path. Needless to say, not always a good idea.
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I believe that, in an ideal world, writers would feel free to write what matters to them without having to consider success, failure, the market, etc.
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I wish I were a really good photographer.
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I had a memory span about as long as the lines in a school play.
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I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.