Clark Gable Quotes
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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The wind is a very difficult sound to get. It's always changing.
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I have a mental coach in Korea, and I talk to her every week before the tournament, during the tournament and try to talk to her and try to get a little bit of the pressure off.
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The idea that you can make love and not war really is pretty neat. That thing in Korea, the thing in Israel - that's all over the world. There must be a new way of thinking.
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I love the irony of movies. I really do. For whatever reason, I'm incredibly intrigued by the irony of reality in a motion picture.
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I was having a lot of mixed feelings about the independent world as well as the label world. I feel like I've been in the game a long time, and you know, when it come to labels not seeing a fella being around the last five years, it's like, it's hard to convince them what I can do.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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I'm a relatively ugly character who's done pretty damn well in film.
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When I grow up I wanna be like Omar
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So consumed in all your doom, trying hard to fill the emptiness.
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From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
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If something goes wrong at the plant, blame the guy who can't speak English.
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The man you love cooking for you is good for you too.
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It's a vicious cycle. While systems become denser, their energy efficiency has decreased. Devices are getting smaller and smaller, but they are getting hotter.
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I draft tweets, like, 20 times.
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I know one day I'll be considered too old. I think 40-year-old women actually look more healthy and fit than some girls in their 20s. I've met women who have way better bodies in their 40s because they've been working on them for all these years.
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Everybody's on their toes and focused on what we're about to do, and then there's this moment where you relax because you see that everybody is there to do the best that they can. Everyone opens up to one another right away. That's a terrific thing. I love that about actors. They know how personal this job is.
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Method actors are like hams.
