Clark Gable Quotes
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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The wind is a very difficult sound to get. It's always changing.
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I have a mental coach in Korea, and I talk to her every week before the tournament, during the tournament and try to talk to her and try to get a little bit of the pressure off.
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The idea that you can make love and not war really is pretty neat. That thing in Korea, the thing in Israel - that's all over the world. There must be a new way of thinking.
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I love the irony of movies. I really do. For whatever reason, I'm incredibly intrigued by the irony of reality in a motion picture.
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I was having a lot of mixed feelings about the independent world as well as the label world. I feel like I've been in the game a long time, and you know, when it come to labels not seeing a fella being around the last five years, it's like, it's hard to convince them what I can do.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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I'm a relatively ugly character who's done pretty damn well in film.
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When I grow up I wanna be like Omar
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So consumed in all your doom, trying hard to fill the emptiness.
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From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
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If something goes wrong at the plant, blame the guy who can't speak English.
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The man you love cooking for you is good for you too.
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Life is a plant that grows out of death.
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I'm a very ordinary human being; I just happen to like reading books.
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I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.
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I wouldn't have thought that the techniques of story-telling, which is what the novel is after all, can vary much because there are two things involved.There's a story and there's a listener, whose attention you have to keep. Now the only way in which you can keep a reader's attention to a story is in his wanting to know what is going to happen next. This puts a fairly close restriction on the method you must use.
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Method actors are like hams.
