Neymar (Neymar da Silva Santos Júnior) Quotes
When you see a person you love being affected, suffering, people saying things that aren't true... then it hurts you.
Quotes to Explore
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We are living in difficult times. There are a lot of people out of work - am I going to stand there and whinge? No, because I am lucky to have such a wonderful job.
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'Lovejoy' has a special place in my heart because it was through my efforts that the series first came to the screen.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.
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Dramatically it's always more interesting to conceal rather than reveal things.
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You can't make a living as a playwright. You can barely scrape by.
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I am strictly against remaking a movie.
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I happen to be the kind of reader who, if I like something, I don't want it to end.
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The closer a Negro got to the ballot box, the more he looked like a rapist.
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I totally respond to complex characters, and I'm not interested in anything too simple.
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It is better to entertain an idea than to take it home to live with you for the rest of your life.
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When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
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No matter what job you do, we all have a much different life than our parents had. My parents' generation had one job and then they retired. Now, people have many different jobs.
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I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
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It is not enough for me to ask question; I want to know how to answer the one question that seems to encompass everything I face: What am I here for?
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For a long time, I felt instinctively irritated - sometimes repelled - by scientific friends' automatic use of the word 'mechanism' for automatic bodily processes. A machine was man-made; it was not a sentient being; a man was not a machine.
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For a kid in London, Hollywood seems like such a mythical place.
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Everyone we knew was forming a band. Boy George, Wham! Sade. But it wasn't a big deal, they were our friends. It wasn't like we were hanging out with pop stars.
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The theatre is one of those muscles - if you don't exercise it, it becomes a strange and truly fearful place.
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You don't have any communication between the Israelis and the Iranians. You have all sorts of local triggers for conflict. Having countries act on a hair trigger - where they can't afford to be second to strike - the potential for a miscalculation or a nuclear war through inadvertence is simply too high.
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All through school, people told me I looked like Marcia Brady.
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Beyond just the respect that you want to have, people just miss out on being in the moment when they have a screen in front of their face. I just don't know to tell people. I feel it's like, you know, 'Turn off your phone and go to the theater.'
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When you see a person you love being affected, suffering, people saying things that aren't true... then it hurts you.
