Neymar (Neymar da Silva Santos Júnior) Quotes
When you see a person you love being affected, suffering, people saying things that aren't true... then it hurts you.
Quotes to Explore
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We are living in difficult times. There are a lot of people out of work - am I going to stand there and whinge? No, because I am lucky to have such a wonderful job.
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'Lovejoy' has a special place in my heart because it was through my efforts that the series first came to the screen.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.
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Dramatically it's always more interesting to conceal rather than reveal things.
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You can't make a living as a playwright. You can barely scrape by.
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I am strictly against remaking a movie.
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I happen to be the kind of reader who, if I like something, I don't want it to end.
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The closer a Negro got to the ballot box, the more he looked like a rapist.
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I totally respond to complex characters, and I'm not interested in anything too simple.
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It is better to entertain an idea than to take it home to live with you for the rest of your life.
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When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
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No matter what job you do, we all have a much different life than our parents had. My parents' generation had one job and then they retired. Now, people have many different jobs.
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I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
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It is not enough for me to ask question; I want to know how to answer the one question that seems to encompass everything I face: What am I here for?
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For a long time, I felt instinctively irritated - sometimes repelled - by scientific friends' automatic use of the word 'mechanism' for automatic bodily processes. A machine was man-made; it was not a sentient being; a man was not a machine.
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For a kid in London, Hollywood seems like such a mythical place.
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I'm proud of my body, I'm proud of my sport, I'm proud of being a female athlete.
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The things that stand out are often the oddities.
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It's funny: the reason I did 'Beautiful Creatures' was the same reason I did everything else - even though it was a genre film and existed at a more studio level, the script and the characters were so well written.
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A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text.
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When you see a person you love being affected, suffering, people saying things that aren't true... then it hurts you.
