Rita Ora Quotes
Quotes to Explore
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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Brad Pitt is a dude who just wants to make good movies. He's not afraid to surround himself with the greatest actors, which I always appreciate because I've also seen actors who only want to surround themselves with weak actors because it makes them look better. That ends up making a poorer movie.
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In every movie I do have a dialogue.
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I was a pretty pretentious kid. I was always making art.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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Some of the biggest movie stars in the world are essentially characters.
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As an actor, you're not kind of thinking about your own work or watching the movie for the first time.
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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.
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I think you kind of hope for people to gush over movies, but I think the opposite way is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
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For me, the greatest thing a movie can do is rivet you while you're watching but also give you something to chew on for days and weeks after you've seen it.
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It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.
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Growing up in the eighties, you could go from one style in a movie to another style, and that was okay. In the nineties, you had to obey your niche. You had to follow the code and never step outside of exactly what you're doing.
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The attorney general would call at 5 o'clock in the evening and say: 'Tomorrow morning we are going to try to integrate the University of Mississippi. Get us a memo on what we're likely to do, and what we can do if the governor sends the National Guard there.'
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What has always been at the heart of film making was the value of a script. It was really the writer who could make or break a film. But as we all know, the writer has always been at the bottom of the creative heap.
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The only thing you can do to make me that angry is to lie with another man" ~ Raphael, Guild Hunter, Nalini Singh
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There have not been children of comparable youth in the White House since the Kennedy era.
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I'd love to do a whole soundtrack to a movie.
