Rita Ora Quotes
When I was younger, I did my first audition at 'Eurovision.' I was about 17. After my first audition, I blacked out; I was just like, 'I can't do this.' I'm not knocking it or anything - it's been around for years. I'm just very, very happy I made that decision myself. I think that's one of the best decisions I've ever made.
Quotes to Explore
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A sack is way better than any nightclub. A touchdown is way better than any bar experience I've ever had.
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I say to my colleagues never confine your best work, your hopes, your dreams, the aspiration of the American people to what will be signed by George W. Bush because that is too limiting a factor.
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The only person I'd cry if I met would be Beyonce.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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The main dangers in this life are the people who want to change everything... or nothing.
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To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
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There's a monster outside my room, can I have a glass of water?
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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I'm working on a bunch of things with my daughter Emily. In some ways, she's a smarter and better editor than I am.
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Our country is in deep trouble. To talk and re-litigate in 1998, or even what Mitt Romney said or didn't say in 1994 or 2002, I don't think most people really care.
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I'm more comfortable revealing myself than hiding behind metaphors. I respond to artists who reveal something of themselves.
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Speaking purely from a musical standpoint, I think I am a great performer.
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Laws and customs may be creative of vice; and should be therefore perpetually under process of observation and correction: but laws and customs cannot be creative of virtue: they may encourage and help to preserve it; but they cannot originate it.
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One always tends to overpraise a long book, because one has got through it.
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I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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Not every song has to be about love and tenderness, sometimes you have those strictly physical feelings for somebody and it's okay to have those feelings.
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A lack of transparency results in distrust and a deep sense of insecurity.
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I think they'd both lose miserably.
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I don't want to live in Maine full time, but the physical beauty is very striking. It is the exact opposite of New York. When you walk through my small town to get a cup of coffee, you bump into five people you know.
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I thought I had gotten second, but I didn't, so I was really happy.
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The saddest kind of sad is the sad that tries not to be sad. You know, when Sad tries to bite its lip and not cry and smile and go, 'No, I'm happy for you?' That's when it's really sad.
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Seeing someone happy on set is just a very small slice of the reality of an actor's life.
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When I was younger, I did my first audition at 'Eurovision.' I was about 17. After my first audition, I blacked out; I was just like, 'I can't do this.' I'm not knocking it or anything - it's been around for years. I'm just very, very happy I made that decision myself. I think that's one of the best decisions I've ever made.
