Rita Ora Quotes
When I was younger, I did my first audition at 'Eurovision.' I was about 17. After my first audition, I blacked out; I was just like, 'I can't do this.' I'm not knocking it or anything - it's been around for years. I'm just very, very happy I made that decision myself. I think that's one of the best decisions I've ever made.

Quotes to Explore
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A sack is way better than any nightclub. A touchdown is way better than any bar experience I've ever had.
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I say to my colleagues never confine your best work, your hopes, your dreams, the aspiration of the American people to what will be signed by George W. Bush because that is too limiting a factor.
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The only person I'd cry if I met would be Beyonce.
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Why you kill me? I never did you anything. Not kill me! I beg not to be locked up. Never let me out of my prison - not kill me! You kill me before I understand what life is. You must tell me why you locked me up!
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Children are apt to live up to what you believe of them.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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The main dangers in this life are the people who want to change everything... or nothing.
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To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
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There's a monster outside my room, can I have a glass of water?
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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I'm working on a bunch of things with my daughter Emily. In some ways, she's a smarter and better editor than I am.
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Our country is in deep trouble. To talk and re-litigate in 1998, or even what Mitt Romney said or didn't say in 1994 or 2002, I don't think most people really care.
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I'm more comfortable revealing myself than hiding behind metaphors. I respond to artists who reveal something of themselves.
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Speaking purely from a musical standpoint, I think I am a great performer.
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Laws and customs may be creative of vice; and should be therefore perpetually under process of observation and correction: but laws and customs cannot be creative of virtue: they may encourage and help to preserve it; but they cannot originate it.
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One always tends to overpraise a long book, because one has got through it.
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I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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I wouldn't say I was bullied per se, but I did get a lot of unwanted attention because I was musical and stood out. In school you don't want to stand out; you want to blend in.
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I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
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When I say that Zen is life, I mean that Zen is not to be confined within conceptualization, that Zen is what makes conceptualization possible.
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I had no business trying to see you leave, see death arrive, I owe you an apology, an elegy, I owe you the drift of memory, the praise of everything, of saying it was the best decision of my life, to hold you full, hold you empty, & live as the only bond between the two.
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When I was younger, I did my first audition at 'Eurovision.' I was about 17. After my first audition, I blacked out; I was just like, 'I can't do this.' I'm not knocking it or anything - it's been around for years. I'm just very, very happy I made that decision myself. I think that's one of the best decisions I've ever made.