Neil Gaiman Quotes
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Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.
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'What's your name,' Coraline asked the cat. 'Look, I'm Coraline. Okay?'
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I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?
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Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.
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You can tell when a Hollywood historical film was made by looking at the eye makeup of their leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.
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At the best of times his face was unreadable. Now his face was a book written in a language long forgotten, in an alphabet unimagined. Silas wrapped the shadows around him like a blanket, and stared after the way the boy had gone, and did not move to follow.
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We are always living in the final days. What have you got? A hundred years or much, much less until the end of your world.
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I don't believe in Apocalypses. I believe in Apocatastases. I think it may be the title for The Film. It's a bitch to pronounce, and no-one knows what it means, but otherwise it's a great title.
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American Gods is about 200,000 words long, and I'm sure there are words that are simply in there 'cause I like them. I know I couldn't justify each and every one of them.
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'The little folk dare anything', said his friend. 'And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.'
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'Because,' she said, 'when you're scared but you still do it anyway, that's brave.'
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Coraline shivered. She preferred her other mother to have a location: if she were nowhere, then she could be anywhere. And, after all, it is always easier to be afraid of something you cannot see.
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Do not be jealous of your sister. Know that diamonds and rosesare as uncomfortable when they tumble from one's lips as toads and frogs:colder, too, and sharper, and they cut.
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I had to go to the store, I had decided, to bring back some apples - and I went past the store that sold apples and I kept driving, and driving. I was going south, and west, because if I went north or east I would run out of world too soon.
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I don't know what it's like to be God - obviously …until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. … Suddenly I got a very good idea of what it must feel like. I went: 'I'm writing it now this scene in the Tardis. I'm writing it!' And that was amazing, it was wonderful.
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'You're no help,' he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could.
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I'd never heard anything like it before. It was like banshee music. This absolutely otherworldly voice, singing about a book, and as a bookish kid, I was always fascinated by anything, any music that seems to be about or inspired by books.
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Travers's Mary Poppins was a natural phenomena, ancient as mountain ranges, on first-name terms with the primal powers of the universe, adored and respected by everything that saw the world as it was. And she was a mystery. … philosophically, I suspect now, the universe of Mary Poppins underpins all my writing …
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Doctor Who has never pretended to be hard science fiction … At best Doctor Who is a fairytale, with fairytale logic about this wonderful man in this big blue box who at the beginning of every story lands somewhere where there is a problem.
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I tweet, therefore my entire life has shrunk to 140 character chunks of instant event and predigested gnomic wisdom. And swearing.
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But how can you walk away from something and still come back to it?
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And he still thinks, in the little bit of his head that's still him, that he's not a zombie. That he's not dead, that there's a threshold he hasn't stepped over. But he crossed it long time ago.
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All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.
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… the beast made the noise of a cat being shampooed, a lonely wail of horror and outrage, of shame and defeat.