Neil Tennant Quotes
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I'm always uneasy with messages. I think if there is a message, it's about taking control of your life. Not becoming a victim. Be true to yourself. In essence it's about love in the drug culture.
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I've got the brains, you've got the looks, let's make lots of money.
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It was most exciting when people first came up on the stage and then when they came back for the encore. We wanted to make a show that kept on developing, that was interesting, so we tried to do that with our live shows.
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She's been a smack addict, she's had big success in Europe in the '70s, and she's lost everything. She's been rediscovered in the '80s, and as we meet her she's just about to sign a new recording contract.
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There's the paradox of making pop music when you're in your 50s. People weren't meant to be doing that originally and yet they are. Mick Jagger [used to say] we're not going to be doing Satisfaction when I'm in a wheelchair.
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At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
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There's also a subplot about a guy who manages pop groups. Dave is a very ambitious boy, and he gets offered an audition but only wants to do it on his terms and conditions. He wants to maintain his integrity.
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It's fundamental that what we do only exists in our own universe. When you like Pet Shop Boys, you are in our world.
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The big gay clubs like Heaven started having mixed nights in the late '80s.
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A lot of what used to be known as gay culture - broadly speaking, homoeroticism and being camp - has been brought into mainstream culture. I think we should be moving to an era where it's just sex.
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I didn't want to wear a checked shirt and grow a mustache - that's what you had to do, and everyone did.
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We shouldn't feel restricted by our sexuality, and our sexuality doesn't have to be a cultural choice. That's an amazing variety of music within those five main performers.
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We've been working on a new album, which is going to come out next spring, which is very different, a change of style for us - it's going to be almost like rock music.
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You should always celebrate your successes because someone else will celebrate your failures.
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To a certain extent, this tour is a celebration of individuality and that you can invent and reinvent yourself. You should have the power to be able to do that. Sexuality is a part of that. It should release you. It doesn't have to be an issue. It shouldn't box you in.
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We thought it would be great to see if you could put pop music back into musical theater.
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We hope we are moving toward a world where sexual orientation is not an issue, because we hate the idea of a gay ghetto. I think that it's a real shame that people become restricted by their sexuality or define their whole lives by their sexuality.
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Because some people have sex with people of the same sex, an entire culture has been created, broadly speaking, out of oppression. Which in a rational world would not be an issue.
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The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.
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When I was I younger I didn't want to be gay. Not because I was scared of the sexual thing; I didn't want to be a clone. Now this was in the late '70s.
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For a while we were chasing a book by Graham Greene to do Brighton Rock as a musical. We didn't get the rights, so we decided to create something from scratch, with Jonathan. By that time we were big fans of his work.
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We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.
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I think the world should be one community.
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She's a very charismatic character, and she holds the whole play together.