Eddie Trunk Quotes
Quotes to Explore
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I was just a kid, but I was a rotten kid.
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I think it's less common in France that a man at the age of 50 buys a Porsche and gets a young girlfriend.
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I've been busy for years, buying land, often under pseudonyms, and planting trees on it. All the money is going into it when I die - and in the end I'd like to think that it will be 20 to 30,000 acres.
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I work in a very contained environment, usually.
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I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
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What our children have to fear is not the cars on the highways of tomorrow but our own pleasure in calculating the most elegant parameters of their deaths.
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I've done a lot of costume dramas and things that are set in the past, and it's great to be able to have things that you can research and material that you can look at.
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Winners do what losers don't want to do.
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Too often, I've put my career and helping others ahead of my own needs.
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I always have coffee and porridge for breakfast.
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Ticketmaster does not set prices. Live Nation does not set ticket prices. Artists set ticket prices.
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Responding to terrorism inevitably implies military consequences. This may shock some people, but these groups must also be dealt with on a military footing. I won't use the word 'combat' to avoid being painted as a crusader.
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I'm not into the attention thing so much.
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Maybe it will be a great thing when the Baby Boomers finally die out. In real life, it's not a matter of the good guys or the bad guys. Rather, it's big numbers and small numbers that do the counting.
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Well in the book Carrie was my alter ego. In real life, Sarah Jessica and I don't look anything alike. But people do say that we sound alike. Sarah Jessica is an adorable girl and she is very funny.
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I make work not to give answers but to question things.
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Take time to deliberate, but when the time for action has arrived, stop thinking and go in.
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I have a three-year-old and a four-year-old at home, and my mornings are about just dealing with the fact of that. I oddly enjoy it.
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The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.
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I don't have any respect at all for the scum-bags who went to Canada to avoid the draft or to avoid doing their fair share.
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They all do the same thing, ... All of them, they just know how to set up hitters. They strike you out when they need a strikeout. It's just amazing to watch them pitch.
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Nowadays, there are seven music directors in one film. I had never heard of such a thing before. If one of our old music directors was told to share a score with others, he would have left the assignment.
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When I do interviews, I never pre-plan them at all, radio or TV.
