Peter Frampton Quotes
I love working with film, whether it's the technical side, the acting side, or the musical side.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stage and film are just two wildly different animals. Why compare the two?
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I love working in America, I love being part of the industry out here.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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Being in a Woody Allen film. I cherish it.
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I know I'm not the consummate Bollywood heroine. But I'm working hard on it.
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I was a big fan of Super Troopers, so working with the Broken Lizard guys was so much fun.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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The bottom line is: We must be working on arriving at the destination for which we were put on this planet.
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When you're working well, you don't do research. Whatever you need comes to you.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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The reality of the final moment, just before shooting the scene, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
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I often tell people that I truly want the horse to be my feet and legs. I want to be an extension of the horse and him to be an extension of me. That's what I'm always working toward when I'm on a horse.
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I know I've been lucky. But it's what you do with that luck afterwards that really defines whether you stick around.
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Excitement is the more practical synonym for happiness, and it is precisely what you should strive to chase. It is the cure-all.
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I love working with film, whether it's the technical side, the acting side, or the musical side.
