Johnny Mathis Quotes
That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.
Quotes to Explore
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I am an invisible man. I am a man of substance, of flesh and bone, fiber and liquids - and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
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We must all obey the great law of change. It is the most powerful law of nature.
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I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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My first trip to Mexico was with my dad because of his Spanish records. That was back in 1958. I found a picture of me when I was eight dressed as a little senorita.
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DeNiro did a good job playing a catcher in 'Bang the Drum Slowly,' but he's great in everything he does.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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There's so many great songs already written, it's kind of really wonderful you don't have to write your own.
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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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To denigrate the union movement in this way is to denigrate the right and the ability of people who are not rich to organize and to accomplish things together.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
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I have a great plain blue shirt from APC, and a denim one from Dolce that I wear constantly. It's hard to find the perfect denim shirt, but this is it.
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I find it odd that people will go to a nice restaurant or to the theater in jeans and T-shirts.
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I was a dramatic kid. I was always like, 'Watch me put on my play, Mom and Dad! You have to watch me put on all these outfits and do this play!' But my family is very academic and straightforward and normal Midwestern people, so the idea that I could act as an actual job wasn't really there.
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My family is from the South, and I can remember all those ladies I grew up with, like my great-aunts, who had handkerchiefs. There's something sweet about them.
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Vincente understood all too well what was happening to Liza; he had gone through it 40 years earlier with my mother.
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But I like the feel of men on things, while they're alive. There's a feel of men about trucks, because they've been handled with men's hands, all of them.
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I did get upset once, when we were hiking between pitches 15 and 16. Two women and a dog were trying to find their way down through the maze of trails below the First Summit and they asked us: 'Are you on the trail?' I let my indignity show: 'NO, we're on a CLIMB!'
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The second we see somebody on the street or meet someone, we make snap judgments about them, about who they are and why we wouldn't necessarily sit with them or why we would or what's cool or not cool.
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There are lots of things we choose not to see. Doesn't mean they aren't there, even if we wish they weren't.
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That's a big important deal, the way people see you from the stage. Once in a while, I'd ask people, 'How did you enjoy the show?' 'Hey, you looked great.' But how did I sound? That visual look is very important to people.
