Neal McDonough Quotes
Quotes to Explore
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The man whose life is devoted to paperwork has lost the initiative. He is dealing with things that are brought to his notice, having ceased to notice anything for himself.
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Historically, the Balkans have been an incubator of war.
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I love Bob Altman. I always admired him so much because I always thought he was a genuine voice.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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I don't run after successful directors. I give importance to the content of the film.
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I've always been interested in strange foods, coming from all different places.
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Jesus is an example. We have other examples, including many of our ancestors as role models who understood the inner meaning of our orientation.
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You don't have to feel confident to act confident. In fact, it's the most important acting job you can learn.
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If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
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I grew up with 'Friends' from day one and, like, 'Seinfeld' and 'Frazier,' those sorts of shows, but for sure, 'Friends' was it for our family. Like, we would watch every Thursday night at eight o'clock; I couldn't wait.
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If I had not been dyslexic, I wouldn't have needed sports. I would have been like every other kid. Instead, I found my one thing, and I was never going to let go of it. That little dyslexic kid is always in the back of your head.
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The smorgasbord of images now presented to us is getting bloodier. They're becoming more frequent - almost hourly.
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A lie to me is a dream that might come true.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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It's an unfortunate reality of life that toxins are constantly building up in our bodies.
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I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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It used to be that you had to come to Silicon Valley, walk up Sand Hill Road, network with individuals. That's now being completely changed and turned on its head by the whole ICO thing.
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Since I was 10 years old, I knew I wanted to sail around the world.
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As a player, you just want to focus on controlling the controllables.
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You won't believe what our kids are eating in the public schools. It's just nuts.
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Kids don't need to be taught the value of making; they are natural makers, at least until traditional education makes them afraid of making mistakes. The long-term value of making for kids is in learning to become an active participant in the world around them rather than a consumer of prepackaged products and solutions.
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With four kids, it's hard to watch anything other than 'Sesame Street.'
