Ronnie Milsap Quotes
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
Quotes to Explore
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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And I guess I have a face and a look that sort of lends itself to period costume!
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Growing up, Tina Turner was definitely one of my influences, and, um, I take things from different artists, and I put them in my music, and I put them in my persona and my - they help me form into the artist that I am, so - for people to actually hear that come through the music is exciting.
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Music is the best means we have of digesting time.
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Whenever you hear a man speak of his love for his country, it is a sign that he expects to be paid for it.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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Sports without music is just a game. Music makes it entertaining.
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If architecture is frozen music then music must be liquid architecture.
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Let the message go out - a new generation has taken charge of Labour which is optimistic about our country, optimistic about our world, optimistic about the power of politics. We are optimistic and together we will change Britain.
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Regardless of who you are, I believe that everybody in this country is entitled to justice.
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I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.
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Music can be made anywhere, is invisible and does not smell.
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I don't belong to any country clubs. I don't have this big circle of friends. Where I make my friends is where I work.
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I'm really at ease in being me and going all around the world playing music. But I do get a lift once we start. I'm humming stuff in the dressing room and smiling, looking at myself and making sure I don't have nose hair! But once I get really close to the stage, and the guys are doing the intro thing, I do get a pick-me-up.
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I find that, maybe because I'm also a singer, I hear music in characters all the time, even if they don't sing. I hear what affects me in my heart.
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I don't even listen to music when I'm off tour.
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I know I'm not Freddie Mercury or Ann Wilson, and that's okay. You don't have to be a great singer to sing rock and roll. That's not what it's about.
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The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.
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It's not my aim to be this, like, 'savior for females.' I just want to make good music.
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If we are bold, love strikes away the chains of fear from our souls.
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Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.'
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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
