Ken Adam Quotes
To be successful, you really have to put your ego in the background and try to be diplomatic to achieve what you want to achieve.
Quotes to Explore
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If you're thin-skinned, you don't belong doing what I do for a living.
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Only twice have I really had a hard time leaving a character. The first was my character in 'Rome' and then in 'Homeland.'
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I know some black actresses who have to wait every 19 films for a role. I can be cast in practically every one as a young white male.
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I'm twitchy. I think I've got ADD. I find it hard to sit down. I need to be constantly challenged; otherwise, I get very... well, I guess 'bored' is the word.
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Bitcoin is both disruptive from a technology perspective, but there's a tremendous power of social good behind it. So you can both build a cool business or have a great investment return, and there's the promise of potentially improving the remittance industry or banking the unbanked.
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I can feel it in my bones that no matter what we do, even if we do not do anything, the revolutionary government of Madame Cory Aquino will collapse.
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You've never seen a Columbine done by a black child. Never. They always say, 'We can't believe it happened here. We can't believe it's these suburban white kids.' It's only them!
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I don't talk about political matters. That's not my department.
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Fashion is supposed to be light and not try too hard.
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While faith need not be monolithic - it can motivate both voting behavior and character development - focus matters. A Christianity constantly looking for political answers to moral and spiritual problems gives believers an excuse to blame other people when they should be looking in the mirror.
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When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
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Companies that have strong graphic identities have built them through years of use.
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I went into the sciences very early on, but to me, economics pervades so much more of our lives and our existence.
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My favorite sport, frankly, is college football. I'm a college football junkie, even though I'm associated with golf and like golf and have played it all my life.
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I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
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Follow that will and that way which experience confirms to be your own.
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I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
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Art is subject to arbitrary fashion.
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My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.
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I'm a straight shooter, and most of the time my ego doesn't interrupt my relationships.
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The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy.
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'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
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I don't like the sound of my voice or how I look or anything.
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To be successful, you really have to put your ego in the background and try to be diplomatic to achieve what you want to achieve.
