Ken Liu Quotes
The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language.

Quotes to Explore
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Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.
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As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.
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If we don't change from a world society that worships money and power to one that worships compassion and generosity, I think we'll be extinct by mid-century. I don't say that as an alarmist or as a pessimist.
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I'm not a sandwich store that only sells turkey sandwiches. I sell a lot of different things.
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It's scary to become a woman in this world. We have to understand that some of the messages we get, messages that we are not enough, are there to keep our power in check. We can't buy into these messages.
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As we get used to women in power, we are likely to discover that they behave much like powerful men - vain, entitled, always looking for more.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I want to be a better writer. I want to learn and grow, to know how to tell stories in a different and more challenging way. I've learned it doesn't get easier each time. It actually gets harder.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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All these police treating our people wrong, man. Black lives matter, but we got fans of all different colors, so all lives matter.
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I guess I had a suspicion of it my entire life without knowing exactly what it was – knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.
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I really admire people who have a natural sense of style. They have a super power.
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Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.
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There have been times I've planted stuff in songs where four years later I'll be singing it from a subconscious, kind of chameleon little lizard mind... and at a certain moment, all of a sudden, I'll hear a line from a different vantage point and it'll change its meaning. It's something I wrote but it changed because I did.
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My brother and I were separated when I was a child; we went with different parents.
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Each one of us has our own evolution of life, and each one of us goes through different tests which are unique and challenging. But certain things are common. And we do learn things from each other's experience. On a spiritual journey, we all have the same destination.
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I think with Blair Witch and The Sixth Sense, people are much more open to something that is different.
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There are very few men and women in whom a Universalist feeling is altogether lacking; its prevalence suggests that it must be part of our inborn nature and have a place in Nature's scheme of evolution.
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The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.
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If necessity is the mother of invention, scientifically developed production is the mother of scientific research.
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I'm not the kind of director who aims to send a message out.
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Life's most underrated emotion is self-pity.
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The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language.