Ken Liu Quotes
I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface.
Quotes to Explore
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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I'm not good with catty girls. I'm too laid-back.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I think everybody has to be better, right from me out. Everybody has to step up their games for us to be successful here. I've been lucky to be on some good teams over the years and that's what it takes, everybody contributing night after night.
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Modesty is good. But not when it comes at the cost of honesty.
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Twerking has to end. Not for the ones that look good doing it, but for all the ones that you feel, 'You don't have enough to twerk back there. Your twerkin' look like jerkin.'
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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The biggest challenge is always the governments - they try to stop all good things. I try to stay away from them as much as I can, as I know if someone can destroy something good, it's the government.
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Growing up in San Diego, I can remember going with my brother to see bands like Pennywise and NOFX - good punk bands that were fast and tight.
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Every woman looks good in a flamenco dress.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I think I've explained earlier on in the year that I kind of underestimated how important experience was in this series, especially when you're up against such good quality drivers.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
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Little progress can be made by merely attempting to repress what is evil. Our great hope lies in developing what is good.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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My short game's not that good. It just becomes a matter of getting that weight moving.
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I am in a traditional financial services business - but we at Fidelity can see that the evolution of technology is setting our industry up for disruption. What if this technology could do for the transfer of value what the Internet did for the transfer of information?
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Having a sense of purpose is having a sense of self. A course to plot is a destination to hope for.
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We've pumped waste into cavities in solid rock and found that it spread through the rock.
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They're odd beasts, musicals, but what I like about them is the way they allow windows into people's lives. When people sing, you get an opportunity to see a vulnerability, a glimpse of a life in a messed-up head.
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I like to play with contrast. It's about changing people's perceptions of people.
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I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface.
