Ken Robinson Quotes
Quotes to Explore
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Being right half the time beats being half-right all the time.
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I taught sixth grade for three and a half years.
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Most of our shows are about two and a half hours long.
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But there isn't any second half of myself waiting to plug in and make me whole. It's there. I'm already whole.
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How often one reads a contemporary full-length novel and thinks quietly, mutinously, that it would have worked out better at half or a third the length.
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The second half of the twentieth century is a complete flop.
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I use my iPad many times a day, and it has cut my use of my laptop by more than half.
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Half a million dollars just to upgrade the car show I aint even detonate the bombs in the arsenal
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If I had a picture of two handcuffed criminals being booked, I would cut the picture in half and get five bucks for each.
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Careful, love. Prices aren't the only things I can cut in half!
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The best way to save face is not to use the lower half.
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Finding the tool is often half the battle.
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The great thing in hitting is, not to be half-hearted about it; but when you make up your mind to hit, to do it as if the whole match depended upon that particular stroke.
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Two halves don't make a whole. Two wholes make a whole.
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I spent half my life, roughly speaking, doing the study of nature in many aspects and half of my life studying completely artificial shapes. And the two are extraordinarily close; in one way both are fractal.
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Many men, seemingly impelled by fortune, hasten forward to meet misfortune half way.
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I'd love to be a mole on the wall in the Liverpool dressing room at half-time.
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I don't feel like I'm half as important as Elliott Smith or Kurt Cobain. And I'm not going to be somebody that became so unhappy that he succumbed.
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Hannibal Lecter: We live in a primitive time - don't we, Will? - neither savage nor wise. Half measures are the curse of it. Any rational society would either kill me or give me my books.
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I think family is our reason for being. I was lucky to be born into a very close-knit family.
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I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all the lines and try and connect each line to a thought I think he might have. Then I show up on the day, wait my turn, and when the director calls "action," I trust that I have done enough work on my impression that I can just believe it strongly enough to play with abandon from inside that character.
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A three-year-old is not half a six-year-old.
