Marilyn Monroe Quotes

All a girl really wants is for one guy to prove to her that they are not all the same.

Quotes to Explore
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I'll never be like a Barbie girl, that's for sure.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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If you're trying too hard to be the girl next door, you're not going to be.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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I wish somebody would have told me, 'Don't try too hard,' because when I was younger I wanted to try really hard. I wanted to please everybody and be this perfect, polite little girl.
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Every little girl looks up to her mom so much - that's your first hero.
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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When I met Eric Clapton, I was a very young girl. I was 20 years old. And we were linked for a very short time, and then we became friends. And then we lost touch, which I'm really sorry about.
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I definitely think being a young girl, there's a time where - like when you're in middle school or when you first start liking boys - you don't really feel comfortable. You remember that time when you first got your period, or when your boobs started coming in, that you were like, 'This is weird.' You have to grow into yourself.
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With my songs I tried to prove that there is love.
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I have never been a material girl. My father always told me never to love anything that cannot love you back.
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For so long, I've been a little misunderstood as a person. You know, I do have this strut about me. I don't know if it's the Jersey girl in me. I like to think of myself as an egg, you know? Hard on the outside but soft on the inside.
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I find men terribly exciting, and any girl who says she doesn't is an anemic old maid, a streetwalker, or a saint.
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The first thing I always look at on a girl is her eyes.
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My mom read French 'Elle' when I was a little girl, and so, when I was 15 or 16, I said, 'I want to work in fashion.'
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When your mother dies, you're not a little girl any more.
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I got to live out my 11-year-old fantasies - I got to go on stage with Green Day. Billie Joe called my name from the stage. 'Dookie' was the first album I ever bought. I covered the whole of 'Nimrod' and he'd heard it. That was like the 11-year-old girl dreamed.
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I know I'm not the 'Indie It Girl' and I'll never have a big breakout, big runaway success. And that's okay.
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Before I went to work for 'Playboy,' I planned to apply to Yale to get a public policy master's. I felt drawn to go into politics. Even before that, my dream was to wind up either in the Senate or on the Supreme Court. I had big dreams as a little girl.
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He is a great simpleton who imagines that the chief power of wealth is to supply wants. In ninety-nine cases out of a hundred it creates more wants than it supplies.
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As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.
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Caste, religion, the political system, the economic system - all are helping the bonded labor owners … I believe in Gandhi’s philosophy of the last man, that is, the bonded laborer is the last man in Indian society, that we are here to liberate the last man.
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All a girl really wants is for one guy to prove to her that they are not all the same.