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The projects that I end up doing, that I want to be involved with in any way, have always been projects that will be impactful, for the most part, to my people - to black people.
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Baseball players need strength but also the ability to make fast-paced, explosive movements, so their training is all about strengthening the tendons around the bone and the joint so you don't tear the muscles from the bones.
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When you're doing a character, you want to know the full landscape. You want to know them spiritually, mentally and physically.
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I don't have a smart house. My house is very dumb.
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I'm not afraid to work.
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Colonialism is the cousin of slavery.
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I studied at Howard. I studied at Oxford.
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I got scars from every film I've done, every TV show.
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I can definitely dance, but pedestrian dancing.
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I'm an artist. Artists don't need permission to work. Regardless of whether I'm acting or not, I write. I write when I'm tired in fact, because I believe your most pure thoughts surface.
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I would go through these cycles of being really, really focused on work, and not being around anyone, to being around everyone. And that could be distracting. It was nothing or everything.
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I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
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A superhero movie is only as great as its villains.
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One of the first things I was taught as an actor was, 'Don't judge the character.'
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When you make movies, it's such an important period of time, when you look back at each one of them. You want to be able to say that you did something that was a challenge and that changed you.
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For me, being a complete artist means not necessarily just being in front of the camera, but being behind the camera or being the originator or creator of something.
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I can't even imagine something being more fun than playing James Brown onstage.
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I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.
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People have said, 'You don't need to do any more biopics. You don't need to play any more real people.' I don't agree with that.
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People of African descent, most of us grew up accepting and loving Spider-Man. I still love Spider-Man. I still love the Incredible Hulk. I still have those characters that were white role models, superheroes, heroes - whatever you want to call it. You basically had no choice but to accept those.
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I'm not one of those guys who walks around with a flip phone who doesn't want to be connected. There are times when I'm tech-friendly, and there are times when I personally do want to shut everything off because I'm more creative when I shut off.
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In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.
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The thing I love about Marvel in general is that they deal with people. They deal with the human being first: Who is inside the suit? Who is the person that obtained this power or this ability?
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I said yes too much. I said yes to certain projects that weren't for me. It was somebody else's vision and somebody else's dream and somebody else's artistic endeavor, but it didn't necessarily fit in my grand scheme.