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'American Idol' is a pop-culture staple that left the air too soon. ABC is the right home to reignite the fan base.
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I feel like there's always a lot of curiosity about what happens in America.
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I think it's intelligent, emotional, character-rich storytelling - at the core, I think those are the most important elements, and I think they can be found across all of our dayparts. That's what, for me, ABC really stands for.
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We will continue to raise the bar for our audience, investing in great storytellers and reflecting the authentic faces and voices of the world around us.
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Tim Allen is a valuable part of the Disney ABC family and has been for a very, very long time.
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One of my personal theories of 'The Mayor' is that I feel like the show arrived on the scene at a time when people were feeling a little bit fatigued about anything that had to do with politics.
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The truth of the matter is coming up with a title is one of the most challenging things we do.
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It's not about just diversity; it's about authenticity. Audiences are really excited to see more of themselves on the screen.
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I love the physical movement and beauty of dance.
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'Nashville' is a show that I personally truly loved, and to not have it back was a little bit of a heartbreak for me.
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I find teaching to be a great way to keep everything in perspective and to help give back. It's also a lot of fun and creatively invigorating.
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We're going to continue to focus on family comedies because that is something that our audience really comes to ABC for. But at the same time, we're going to push the boundaries of what a family comedy actually means.
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I feel like Fox did 'Grease' really right, I thought that was fantastic - it was so well mounted, well-executed, the performances were great, and it had a real sense of fun.
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I do want to focus on shows that are lighter, brighter, more emotional: shows that give the audience a chance to connect and to feel.
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Our goal is to focus on the unique points of view of our show creators but make shows that have broad appeal.
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We have a collective responsibility to do everything we can to make sure that everyone feels that the workplace is a safe and equal environment.
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With our dramas, we have a lot of shows that feature very well-to-do, well-educated people who are driving very nice cars and living in extremely nice places.
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Advertisers like shows that viewers like to watch live.
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When I think about the shows that we have on our air, we've been known for a long time for shows that feature strong, dynamic, powerful women at their forefront. And we're going to continue with that kind of storytelling.
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At the end of the day, broadcast television has many opportunities to inform the audience, to enlighten the audience, and to entertain them.
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We all know that there are different scripted programs out there, and we're all facing the same challenges in terms of ratings and everything else, but I think that there is a lot of opportunity to be had as well, and what I'm excited to do is to get to explore that.
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In terms of CBS, I think that the consistency for them, it feels like they have a really clear sense of who they are and what they want, and they're able to keep delivering very consistently on their brand, which is really terrific, and I think NBC has taken some really smart and interesting routes in the things that they've done.
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Stories let you be the hero, the doctor, the lawyer, the gladiator. They let you go on a journey.
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'Ten Days in the Valley' has everything: It's a thriller, it's a taut, exciting love story, and it has the kind of character our audience loves - a strong, powerful woman who is also dangerously flawed.