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For me growing up, Christmas time was always the most fantastic, exciting time of year, and you'd stay up until three in the morning. You'd hear the parents wrapping in the other room but you knew that also, maybe, they were in collusion with Santa Claus.
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I cry all the time - at work, at the shrink's, with my lady. 'The Notebook' killed me. 'Up' destroyed me.
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What am I going to tweet about? My sneakers?
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I love architecture.
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I'm in that lucky percentile where I can worry about how I want to shape my career. That's a wonderful place to be.
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'Star Trek' is about a bunch of disparate people and what they're capable of when they work together.
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My fans have designated themselves the, uh, 'Pine Nuts.' They're a nutty bunch.
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When I was a younger actor, I was pretty much solely motivated by validation. I just wanted to be told I was good and handsome and a part of the gang. It was pretty simple animal-social stuff. I don't care as much about those things anymore.
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Hollywood is like living in a weird bubble. A bunch of people take care of you and get you stuff, and you're the center of that little microcosmic world. You start believing that it is real and... you deserve it.
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I like a deep sports massage - a casual beating up. I try to get them whenever I can, usually more if I'm getting in shape for a role.
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I find it really hard to even read another script while shooting.
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Theater will always be a huge part of my life. The high I get from doing theater is not, quite honestly, matched by many things. I like the fact that when you step out on the stage, for that given night, for better or for worse, you are the master of the boards. I love it to death.
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Work takes up a lot of my brain space. So when I work, it's one thing. I don't have a lot of time to think about dating.
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I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
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Critics think we try to make bad films. They think we want to spend five months of our lives making something bad. We always go out with the best of intentions, whether it's fluffy comedy or a drama.
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Mediocrity scares me. It's the fear of not being as good as you want to be. If you give over to that fear, it will sabotage you. As much as I can, I try to use that fear to guide me.
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What kind of woman am I attracted to? Really? Can I just say I like what most human beings want?
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I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
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For me, I love exploring ideas and throwing stuff against the wall and seeing what fits, and if I had a really nice collaborative team around me who could deal with the more day-to-day minutia, that would be fun. And directing sometime in the future and writing... yeah, I can see that all in my future. But I can be incredibly lazy.
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On red carpets, as people throw questions at you, you try and answer as quickly as possible.
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There's some beautiful filmmaking on television. I'm getting a lot of my artistic sustenance from what's happening there.
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The mass audience doesn't want to see you if you aren't perfect. If you don't look a certain way, if you don't have big pecs and great skin and the perfect eyes. And it's unfortunate, because kids are growing up with body image dysmorphia because not everyone is represented on the screen.
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As an actor, it easy to be so self-critical, saying to yourself, 'Am I good enough? Am I good looking enough? Am I smart enough?'
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I'm not really sure what gay propaganda is.