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I like a deep sports massage - a casual beating up. I try to get them whenever I can, usually more if I'm getting in shape for a role.
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Fear runs our lives. It doesn't matter who you are. You have to understand your relationship with fear. Whether you're scared of getting into a relationship; or taking the new job; or a confrontation - you have to size fear up.
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I have such awful skin; it doesn't matter what magic serum they think they're putting on - I'll usually break out.
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I have no control over what people think, and if I were to spend energy on that, I would be a lifeless, deadened human being.
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L.A.'s a pretty, warm, easy, breezy place. You can sunbathe, get a Mai Tai, and wake up five months later. And it's still sunny. And they're still serving Mai Tais.
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I cry all the time - at work, at the shrink's, with my lady. 'The Notebook' killed me. 'Up' destroyed me.
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Work takes up a lot of my brain space. So when I work, it's one thing. I don't have a lot of time to think about dating.
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Film is just a different version of what we did round the campfire when we were Neanderthals. We tell stories so people can learn things and relativise things.
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'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
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I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
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I think the most dangerous word in the English language is 'should.' 'I should have done this.' Or 'I should do that.' 'Should' implies responsibility. It connotes demand. Which is just not the case. Life ebbs and flows.
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When you want something enough, it brings out primal emotions. You get into this place of 'must happen, must happen.'
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Anytime you take on a character... you just have to find the parts of the character that you can understand.
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As an actor, it easy to be so self-critical, saying to yourself, 'Am I good enough? Am I good looking enough? Am I smart enough?'
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On red carpets, as people throw questions at you, you try and answer as quickly as possible.
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I'm in that lucky percentile where I can worry about how I want to shape my career. That's a wonderful place to be.
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Musical theater is great; you get painted up, you get to play princesses and witches, and you sing. The joy alone of that can really carry a lot.
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Hollywood is like living in a weird bubble. A bunch of people take care of you and get you stuff, and you're the center of that little microcosmic world. You start believing that it is real and... you deserve it.
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When I was a younger actor, I was pretty much solely motivated by validation. I just wanted to be told I was good and handsome and a part of the gang. It was pretty simple animal-social stuff. I don't care as much about those things anymore.
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I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.
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I find it really hard to even read another script while shooting.
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Sometimes I think I need to get crazy. Go to Vegas.
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There's some beautiful filmmaking on television. I'm getting a lot of my artistic sustenance from what's happening there.
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What am I going to tweet about? My sneakers?