Chris Squire Quotes
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There's been talk of YES possibly doing something on Broadway in New York. People have approached me with that idea, and there are discussions about that.
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In many ways I think 'Fly From Here' is a return to classic Yes; people seem to have been really enjoying it, integrated into the set along with the old material.
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I learned to do a few tricks that other people hadn't done before. I developed that trebly bass thing a little further.
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I thought, 'Wow, if we could have a career that was five or six years long, that would be fantastic.' And, of course, never even thinking it would still be something I'd be doing in 45 years.
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I've had to replace parts in the basses when they've gotten old or worn out, so everything isn't absolutely original.
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There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.
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It's not beyond the possibility that there still could be a YES in 200 years' time... of course with different members, unless the medical profession comes up with something extraordinary.
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I guess the idea of doing albums in their entirety, in sequence, appeals to people. I guess it's the memory of being able to hear the music in the way it was originally presented.
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I've been called the journeyman. It's really more by default than it is by design.
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Yes is what I like doing more than anything else. Somewhere along the way, as people came and went, it fell to me to kind of keep it going and oversee the spirit of the enterprise, as it were.
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We did do the whole of the live suite from 'Fly From Here,' and that was very enjoyable to do. In fact, that is actually our longest piece of music, I think, that we'd ever done.
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The other guys and myself have agreed that Billy Sherwood will do an excellent job of covering my parts, and the show as a whole will deliver the same Yes experience that our fans have come to expect over the years.
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Persistence is a pretty important part of making it in this business, which, in retrospect, is the easy part. Maintaining a profile is the difficult part of the job. Somehow or another, I muddled through that system and somehow am around to still enjoy playing for people.
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Because of all the various people who've come in and out and brought along ideas, I've been on a learning curve throughout all these years. Of course, everyone that's been involved has influenced me as well. And I'm grateful for that.
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'90125' was our biggest-selling album worldwide.
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The great thing about Yes is that it has always been flexible.
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Steve Hackett is a very underrated writer and actually a very good singer.
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We've done very different Yes albums - 11 bars, 13. I think we had something that had 17/4 in it. It's just like anything - the more you do it, the more you have to do it.
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It's been a long time since we've been out there playing new material, and we have really enjoyed that. Of course we still enjoy playing the Yes standards as well, but it's great to have a bit of a challenge and pull off new material.
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Look how far the human race has come in terms of air and space travel in the last hundred years. So in the next couple of thousand years, you've got to believe that we're going to be able to do all kinds of amazing things.
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I know I always worked hard on making sure we came out with the best possible product and of course we were working with four other people, you have to balance that as well.
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Of course, Paul McCartney's sound is different from mine, but it's the way you hear things, really.
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People are used to us being onstage for a while.
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On our studio album 'Fly From Here' in 2011, we spent a year and a half promoting that around the world.