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I have never played anything live - except for a few special occasions - from 'Fish Out of Water.'
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In a way, that's always been Yes' history to a large extent! Quite a few occasions when we've had a new band member or change in members, then we've done a new album with new chops and refreshed the musical approach.
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People are used to us being onstage for a while.
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On our studio album 'Fly From Here' in 2011, we spent a year and a half promoting that around the world.
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'Close To The Edge,' we actually had played it from beginning to end before we recorded it in the studio. So we knew how long it was, and we knew it would fit on the album fine, so we didn't do any editing.
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Of course, Paul McCartney's sound is different from mine, but it's the way you hear things, really.
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Touring is a tough business.
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Philly has always been one of our favorite towns to play in, and the fans have been very loyal and very supportive over the years.
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I think what the story of Yes has been is we've wandered in and out of different styles over the years.
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I hope, after I'm gone, there will still be a Yes.
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I think the first three Rickenbacker basses were imported around 1964. Pete Quaife, the bassist for The Kinks, bought one. Then John Entwistle from The Who bought one. As for the third one, I asked the manager of the store if I could get an employee discount. He said I could, and so I picked up that one.