E. L. Doctorow Quotes
Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
Quotes to Explore
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My sisters used to learn dance, and I used to stand behind them and dance. So my guruji suggested that I also learn, as I seemed interested. I started learning at the age of three and was always on stage for something or the other. My mother is proud of me, and clearly my artistic bent comes from her.
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The thing about influence is that any composer worth anything will give you the same names.
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I'd love to work with David Lynch. I'm such a big fan. He's a genius.
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I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
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I go straight from thinking about my narrator to being him.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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Our fresh technical resources have furthered the disintegration of solid masses of masonry into slender piers, with consequent far-reaching economies in bulk, space, weight, and haulage.
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I wasn't naturally gifted in terms of size and speed; everything I did in hockey I worked for, and that's the way I'll be as a coach.
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The usual fortune of complaint is to excite contempt more than pity.
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Your mind is what makes everything else work.
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If I can put it together, I've got an opportunity to win.
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If you want the Migos to come to your venue, you need to have security there because of the type of music we're rappin'. We get fans excited.
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Hindi films are so deceptive. I thought Mumbai was this big, grand, beautiful city with sea-facing flats.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.
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I wasn't a very good student in elementary school and had a hard time with reading and writing.
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Eventually you just have to realize that you're living for an audience of one. I'm not here for anyone else's approval.
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Will I obliterate national debt? Sure, why not?
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I laugh a lot, especially between shots, and it's tough for me to control. There have been so many instances where my director had to request me to stop laughing and come into the mood of the scene.
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The tone of 'Into the Beautiful North' is really the way I write. 'Hummingbird's Daughter' was the anomaly. It was a once-in-a-lifetime phenomenon.
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I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
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A great many people now reading and writing would be better employed keeping rabbits.
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I saw Ellen and my knees were weak. It was amazing. And it was very hard for me to get her out of my mind after that. Then when I saw her that night, we started talking, and that's that.
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Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
