Charles Baudelaire Quotes
Un artiste n'est un artiste que grâce à son sens exquis du beau, - sens qui lui procure des jouissances enivrantes, mais qui en même temps implique, enferme un sens également exquis de toute difformité et de toute disproportion.
Quotes to Explore
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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The path of least resistance is the path of the loser.
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No man can be ideally successful until he has found his place. Like a locomotive he is strong on the track, but weak anywhere else.
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I do not consider the Lisbon Treaty to be a good thing for Europe, for the freedom of Europe, or for the Czech Republic.
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I would never share my daughter's wardrobe. Every five years you have to go through your wardrobe and say, 'This is possible, this is not possible.' But you have to be happy with yourself.
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As a kid at school, I had a lot of really good teachers and I had a lot of really bad teachers, and I just know how much of an impact those can have on a young child. To be one of the good teachers - I want to have that kind of impact.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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To the solace of his name, simply saying 'Muhammad' has an incredibly soothing effect on me.
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When you have young children, it is hard to see live performances. Unless I am in it. I do manage to see my husband Rupert Goold's work, of course.
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You must work very hard to become a natural golfer.
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We do participate in the government programs, like probably 95 percent of farmers do. People who aren't familiar with the agriculture industry, you know, try and make that look like something exceptional.
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I mean the future has become old fashioned.
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When they see those fourteen lights, they're looking at a miracle. And deep down, they feel that whatever's going to happen, there will be someone there to help them. And that fills them with hope.
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In Britain, you know there are people waiting to tear your stuff apart, so it's important for me to know that my music has subtleties and depth to it.
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Title IX came along and changed a lot of things for the better, but nevertheless, it meant that money became more important.
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I see potential in everything. It's about opening your mind to what you can do to the garment: because they're cheap, you can cut them or stitch them, and if you stuff it up, it's fine - it's only two dollars.
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I'd rather sing a good lyric written by someone else than one of my own that is terrible.
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If I could write the perfect novella I would die happy.
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The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.
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I know that nobody can become a star without a team.
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A lot of my work is about sales. And it was about being independent from the art market.
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I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
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Un artiste n'est un artiste que grâce à son sens exquis du beau, - sens qui lui procure des jouissances enivrantes, mais qui en même temps implique, enferme un sens également exquis de toute difformité et de toute disproportion.
