Halsey Quotes
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I put 'Ghost' online hoping to make a couple hundred bucks, but then the next day, I took meetings with five different record companies.
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I'm 21 years old, and it's kind of uncomfortable for me to talk about, but I'm in the 1 percent as far as my income and tax bracket. But now that I'm here, there's no amount of money you can wave in front of my face that will make me understand depriving people of human rights.
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My EP, 'Room 93,' was all about isolation - it was based on the idea of being in a hotel room and being totally alone with yourself or that other person.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
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For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
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Most artists, their 60th show was in front of no one. My first show was in front of 1,200 people.
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I love Quentin Tarantino; I love Harmony Korine, Larry Clarke.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
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I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
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My first album was called 'Badlands,' and it's something that I think I'm most proud of having done in my life.
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The idea of 'Badlands' was creating a space with sound, which is a really difficult thing to do.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
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All the musicians I loved growing up were men. I loved Leonard Cohen, Mick Jagger. I loved Alex Turner from the Arctic Monkeys. Even today, I love Van McCann from Catfish and the Bottlemen and Matt Healy from The 1975.
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If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
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You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
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I had a crazy life for a teenager. I lived in New Jersey, but I'd go to Vermont for three weeks, join a commune, take pictures with the guy I was dating, come back home, and post photos.
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I was obsessed with learning about social behaviors. I remember explaining to my mom that kids on my soccer team were fighting because of dyads and triads.
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In a city, there's more room to be, where in a small town, you have to squish yourself down a little bit. And it's exciting for me to be pursuing a career where I don't have to be small.
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I'm used to packing up and leaving, to condensing myself into a digestible version because people don't have much time to get to know me.
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My mom has every issue of 'Billboard' I've ever been in.
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I end up pleading my case to alternative programmers - you're telling me that my music is too dark for pop, too pop for alternative, and urban radio won't touch it - so we have a record that doesn't fit in. And what is more alternative than that?