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I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. I've had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
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I remember the first book I bought, when I was about 11... Dad said, 'What have you got that for? What are libraries for?'
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Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
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For what it's worth, I enjoy 'Dexter,' 'Modern Family,' 'True Blood' and 'Breaking Bad.' I've enjoyed the wonderful 'The Pacific.'
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I'll tell you what I'm grateful for, and that's the clarity of understanding that the most important things in life are health, family and friends, and the time to spend on them.
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I love thrillers, and I always have.
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I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
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The Chinese say, 'It's good to live in interesting times.'
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I'm by no means an opera buff.
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In the case of 'Jack Ryan,' it was a huge collaboration, and I enjoyed it very much, and most of all, I want the audience to enjoy it, too. I want them to feel immersed in this world.
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I do think that, for instance, we've been very lucky to have theatrical careers and be associated with Shakespeare which sometimes gives you a kind of bogus kudos.
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Shakespeare's always on my dance card if it can be.
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I suppose, at 50, you value things in a different way. So you value connections, you value your friendships, you value your health, and you are much more aware of time passing.
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The long version of the play is actually an easier version to follow. In all of the cut versions the intense speeches are cut too close together for the audience and the actors.
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I live in the English countryside, so I'm surrounded by magpies.
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I don't know that there is too far, actually. I think there's only too bad. If it's bad you've gone too far.
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I went to a comprehensive school and didn't go to university.
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Mozart had a tremendously fertile and creative ear for a catchy tune.
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Carrying a movie is both a great privilege, it's a great opportunity, but it can be a great pressure, and sometimes that can make people behave very oddly.
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Shakespeare is rhythmic; he is musical in the sense that he likes poetry, and he's musical because he constantly refers to settings where there's singing and dancing.
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What happens is that with difficult processes on a film, they get very intensely compressed because a clock is ticking.
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I think what you're always looking for as artists is to be honest and to continue to be honestly driven by that which you are passionately engaged with. It should need not be forced.
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I think in the wake of the domination of the Marvel Cinematic Universe, everyone is now looking for a grand plan.
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I choose to be inspired by things that have been done well in the past. So, I don't worry about being compared, because I think that does paralyze you.