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If it's good art, it's good.
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What happens is that with difficult processes on a film, they get very intensely compressed because a clock is ticking.
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Many of us live in dysfunctional families, and so even if it's in a fairy tale, or perhaps because it's in a fairy tale, we have a chance to look at that side of our reflected lives differently.
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Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
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I think that short films often contain an originality, a creative freedom, an energy and an invention that is inspiring and entertaining. I think they are, as Shakespeare put it, a good deed in a naughty world.
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I think the best actors are the most generous, the kindest, the greatest people and at their worst they are vain, greedy and insecure.
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I choose to be inspired by things that have been done well in the past. So, I don't worry about being compared, because I think that does paralyze you.
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I only really cast people who are desperate to be in it - who were dying to be in it, whose talent I believed in and were dead ready to do the work that was necessary.
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In the hands of a great poet, words have ways of affecting us in ways we don't understand.
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Sometimes I used to think to myself, 'Have I lost a sense of humor?' but I don't think that I have. I think one can be as snarky and sarcastic as lots of people, but I have never found that it makes me particularly happy.
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In Northern Ireland, I truly, effortlessly, knew who I was. I knew where I belonged. I felt completely and utterly secure.
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The director needs to be in command on set because everything crumbles if that's not the case.
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I have a pathetic urge at some stage in my life to be able to pull out my wallet and pull out a little card on which it would say, 'Kenneth Branagh, artistic director.'
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I think we love the escapism of something like 'Cinderella,' and I think we do with 'Thor.'
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Do you know what I feel about Dr. Who's? I feel the same way as I do about the Bonds. I love them all. I love them all! I don't have favorites.
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In the course of my lifetime, that world went from violence to a kind of peace.
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My parents are the reason I wanted to make Shakespeare available to ordinary people.
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'Jack Ryan' is a very fast-paced, very contemporary, very action-driven thriller.
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The records - what little we know about Shakespeare, including the records of the plays in his playhouse - were often the story of how quickly they came off if they didn't work. They had to move on. They were absolutely led by box office.
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I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.
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I went to Moscow and met some slightly powerful and scary people.
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A lot of the films I've done have links to other movies that I've directed in the past.
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My dad, for the first 15 years of my career, on every visit he made to a play or a film set, would find the oldest person on set and say, 'Do you think my son has a future?'
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It's quite hard for people to just accept that they're very contradictory.