Christian Bale Quotes
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I have this theory that, depending on your attitude, your life doesn't have to become this ridiculous charade that it seems so many people end up living.
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My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message.
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I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
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But I learned that there's a certain character that can be built from embarrassing yourself endlessly. If you can sit happy with embarrassment, there's not much else that can really get to ya.
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I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.
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Art is something to be proud of. Art is no compromise.
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Nuclear apocalypse - who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops.
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So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.
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I think mostly it's the adventure that I will have in making the movie. That's what I look for.
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'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
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I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
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Certainly I have no attraction to misery. I don't intentionally go for dark.
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Essentially, I'm untrained, so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.
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The only thing that I'm obsessed with is sleeping, and actually, it is more than an obsession, it is a pleasure.
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I'm not an actor that tends to care. I don't ask 'Is this a close up? Is this a master? Is this a wide? What are you doing? If I look up and notice the camera I go 'Oh, it's a big one today, must be an IMAX.' And that's kinda it for me because it doesn't affect what I'm doing.
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I always figure hey, look, I'm not a rock star, I'm an actor. I'm somebody who's meant to be other people and I'm not meant to be here representing myself. I'm happier when I'm presenting myself as other characters.
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But I enjoyed getting sick, I didn't mind it at all. So in that short amount of time, I did actually go from 121 right back up to 180, which is way too fast obviously. And that resulted in some doctors visits to get things sorted out.
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There have been many times when you spend a number of months and the finished product is not what you wanted to see. And 'Batman Begins' was what I wanted to see.
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I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.
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I start from scratch with each movie; I wipe the slate and I certainly don't rely on some bag of acting tricks I've amassed over the years.
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The only thing I would unequivocally say is that I have never had any interest in romantic comedy I just couldn't do it. I think I'd be terrible.
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Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.
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I went backwards and forwards over it until I was 22. And then in the past few years I began to say to myself, OK, look, I'm not messing around. This is something I want to attack, instead of thinking, I'll just see what happens with it.
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I tend to think you're fearless when you recognize why you should be scared of things, but do them anyway.