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I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
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I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.
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But I learned that there's a certain character that can be built from embarrassing yourself endlessly. If you can sit happy with embarrassment, there's not much else that can really get to ya.
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I think mostly it's the adventure that I will have in making the movie. That's what I look for.
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My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message.
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Art is something to be proud of. Art is no compromise.
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Nuclear apocalypse - who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops.
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Certainly I have no attraction to misery. I don't intentionally go for dark.
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I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
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The only thing that I'm obsessed with is sleeping, and actually, it is more than an obsession, it is a pleasure.
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I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.
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'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
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But I enjoyed getting sick, I didn't mind it at all. So in that short amount of time, I did actually go from 121 right back up to 180, which is way too fast obviously. And that resulted in some doctors visits to get things sorted out.
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The only thing I would unequivocally say is that I have never had any interest in romantic comedy I just couldn't do it. I think I'd be terrible.
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No, only disappointment in myself on those occasions I didn't manage to rise to the occasion as I felt I should've done. I can always see how to do it, and then the challenge is, Can I manage that each and every day?
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I always figure hey, look, I'm not a rock star, I'm an actor. I'm somebody who's meant to be other people and I'm not meant to be here representing myself. I'm happier when I'm presenting myself as other characters.
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I'm an actor I'm not a politician. I always kick myself when I talk too much about family, or personal things.
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Obviously there are times with acting when exactly what is required is just going through the motions, and when doing nothing is the best thing. But at other times, you have to make that leap beyond the immediate environment of people putting up lights on the set.
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I don't think I'm like any of the characters I've played - they're all really far from who I am.
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I tend to think you're fearless when you recognize why you should be scared of things, but do them anyway.
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Essentially, I'm untrained, so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.
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And I not only inherited an aversion to the nine-to-five routine, but the sense from my parents that being bored and boring is the worst thing that you can be.
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A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?
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I start from scratch with each movie; I wipe the slate and I certainly don't rely on some bag of acting tricks I've amassed over the years.