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That first bass I had was an Eko, a very old thing with a thin neck, I had that for quite a while.
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Liza, in terms of sheer talent, just oozes with it. She has sheer energy and stamina, which she gets across the stage, and the way she delivers herself to the public is a good influence. There is a lot to learn from her
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Don't stop me now, I'm having such a good time, I'm having a ball.
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Listen, if you guys wanna move around a bit and shake your asses, it's okay. It's okay by us. You can take all your clothes off if you like, too. It doesn't matter... Fuck off! laughs
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I had this idea... I wanted the sound to sing and have that thickness but yet still have an edge so that it could articulate. So my dad and I designed the guitar... the one that was made from an old fireplace.
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I hate pockets in trousers … By the way, I do not wear a hose. My hose is my own. No coke bottle, nothing stuffed down there.
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Can you imagine how terrible it is when you've got everything and you're still desperately lonely? That is awful beyond words. I'm so powerful on stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
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I am loved by thousands, but I feel like the loneliest man in the world.
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I like a big neck – thick, flat and wide. I lacquered the fingerboard with Rustin's Plastic Coating. The tremolo is interesting in that the arm's made from an old bicycle saddle bag carrier, the knob at the end's off a knitting needle and the springs are valve springs from an old motorbike.
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I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
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Astronomy's much more fun when you're not an astronomer.
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Then we did what we called basically I suppose a club tour in England, which was the time I think that our second album came out, we club toured around the whole country where the venues were hold to five hundreds upwards to that sort of thing you know.
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Money may not buy happiness, but it can damn well give it!
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Jimi Hendrix is very important. He's my idol. He sort of epitomizes, from his presentation on stage, the whole works of a rock star. There's no way you can compare him. You either have the magic or you don't. There's no way you can work up to it. There's nobody who can take his place.
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You know, my children go to a local, local catholic school just down the road.
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The Wedding March has a bit of a death march in it.
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I just want to be able to play as fast as my brain goes, and my brain doesn't go all that fast.
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I would have loved to have been on the Band Aid record but I only heard about it when I was in Germany. I don’t know if they would have had me on the record anyway, because I’m a bit old. I’m just an old slag who gets up every morning, scratches his head and wonders what he wants to fuck.
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The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.
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I'll probably make loads of plans, and then just sit around on my bottom all day long and do nothing.
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Arguments are healthy. They clear the air.
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Sometimes the problem is not the people in the band, but the people around the band.
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It's wonderful for me to see what 'We Will Rock You' has done. 'We Will Rock You' and 'We Are the Champions' have kind of transcended the normal framework of where music is listened to and appreciated - they've become part of public life, which I feel wonderful about.
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I'm not into business at all.