Animal Collective Quotes
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Drugs don't have to be a part of that to me, so if somebody says - your music takes me to that sort of place - then I'm really psyched.
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It's awkward, because sometimes you find new friends that are cooler than your old friends, and then your old friends desperately try to cling on to you even though you sort of hate them by now.
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I guess that's my defence, is like - even if people think it sucks - it's not me anymore, you know.
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I didn't grow up as a religious person under any sort of system or anything like that, I just felt like I've always been sort of intrigued by that - how it can make people's lives better - I mean, it's a powerful thing. So I was interested in thinking about that kind of stuff.
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The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
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I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
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I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
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I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
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I like to think about music as a sport. But only in terms of golf, as far as the course being music and me being the golfer. So it's competitive but only with yourself. With the last one doing well, it made it a challenge to feel like I was improving in some way.
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I enjoy trying to figure out a way to deal with machines - they become like little buddies or something. It's almost the same way you might develop a relationship with a dog - maybe that's weird to say - but there becomes an understanding you reach after a while.
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There's something scary about the unknown. And maybe the scariest movies couldn't ever be made because they are too deep in somebody's head, too unknown to get out.
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Even though there's stuff that I really like that is just a retro sort of style or whatever, I feel like what I'm most excited by is new mixes of things.
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Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
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I definitely don't want to play by myself. I don't relate to playing music that way. I like interacting with people.
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I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.
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I didn't really know why I wanted to go to college. I didn't really have a reason to go there other than the fact that everybody else was doing it.
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Music can be so manipulating - especially in terms of horror. It's such an important part of building the tension.
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I always dreamed of going out to space. The idea of going to a planet where nobody's ever been is attractive to me, it just suits my nature.
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People seem to think that folk music is people with acoustic guitars. Or punk music is people with mohawks, leather jackets.
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The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
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Things have changed. The suburbs are developed, but other parts, like where we recorded Spirit and Danse Manatee are still woodland and farmland.
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I'm not against being proud of where you come from but I feel like sometimes the divisions are a little too bold and it hurts us more than it helps us.
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I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.
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I was really psyched about crooner types like Frank Sinatra or Scott Walker. Something that comes more from the stomach than the throat. There's an emotional thrust to singing that way that I wanted to try on my own. I can't really sing deep and strong like that, but I wanted to just aim in that direction.