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Musicians playing together, it's a conversation, and ideally I want our conversation to be really intriguing and interesting and beautiful.
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I'm the weirdo. There have been multitudes of times in my career where I could have taken an easier road or a more commercial path, and I've been just like, that's not gonna make me happy.
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With time and experience comes a different perception of what's going on around you.
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No matter what, I'm always interested in making music.
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Seriously, American pop culture must be the most predominant force on the planet, next to pollution and poverty.
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In 2000, I fell in love. I had never felt anything like that before in my life. It kind of took me over.
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When I think about the real pioneers of the psychedelic movement in a musical sense, not just the culture, everything had a handmade sort of vibe to it. We're inventing our culture as we move along into this.
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I'd like to think that, at the end of the day, you can look at the things that I made as a young person and the things I'll continue to make as I get older and they'll be consistently interesting and soulful things, and if you like them they'll be a part of your dimension, as well.
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The way we're going about things and what we want to do, we feel it has to be a really pure essence of music. That's where you get the most out of it.
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When Martin Luther King was assassinated in Memphis, Detroit caught fire. Atlanta caught fire. Los Angeles caught fire. Memphis didn't catch fire... [...] We went under curfew, tanks went up and down the streets, all of that's true. [...] ...And... The city fathers chose this opportunity to tear down a black community that represented black history...
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I'm not interested in a persona.
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It's a big deal when you play in a rock band and you conquer Japan. You know, it's a big deal.
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I started shooting pictures because I had all these photographers around me, and life was kind of boring creatively because you play the same songs every night. So I looked for another outlet, and I started shooting.
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Musically, what happened was this: I retired twice. I retired after The Black Crowes, and I retired after Brand New Immortals. Then, we started buying real estate, which really took up my time. I was busy. I was still teaching yoga, but I was mostly busy running business, and I was fine. I was happy.
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I hold my time with the Black Crowes with the utmost respect and sincerest appreciation. It is a huge swath of my life’s body of work. I couldn’t be more proud of what we accomplished and deeply moved by the relationships people created and maintained with my music. That alone is the greatest honor of being a musician.
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Now as a musician, if you have it within you, you can create your own reality. Believe me, it's a novelty.
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It is with great disappointment and regret that after having the privilege of writing and performing the music of The Black Crowes over the last 24 years, I find myself in the position of saying that the band has broken up.
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Singing isn't always about being on key; it's about emotionality.
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If you had told me at 45 years old that I would have to go on tour to get rest, I would've said, 'That's not how it works.' But nothing can be more gratifying. I'm a very hands-on dad.
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I love my brother and respect his talent but his present demand that I must give up my equal share of the band and that our drummer for 28 years and original partner, Steve Gorman, relinquish 100 percent of his share, reducing him to a salaried employee, is not something I could agree to.
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Being a pop artist or making music like a jingle or something - I don't do that.
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I'm interested in authentic experience and the essence of that creative place, and where those myths begin and where they become real on any level.
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Life is different than it was in the Nineties. I'm a dad, and there are other things I have to get done in an afternoon than just being an artist.