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I will do my best to dodge tonight's depression Hide in sleep Damage myself in dreams Wake up older, slightly more used.
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While I disagree with our presence in Iraq and Afghanistan, I have nothing but respect and admiration for the men and women deployed in these places.
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I understand that these people are all there to see me ride, that that's why they're in the building, and whether I have ten people, or a thousand people come out to see me, they still came out to see me, and I take that to heart.
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Most good things happen with time; especially music, which needs time to breathe and to find its own way.
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One day, I stopped hating. I ceased all meaningless activity. I completed the circle. I Set my sights straight. Like an Arrow I flew. I stopped acting. I got tired of playing with you. Random violence and destruction Because my reason for living, my out, My excuse. What is your excuse? Destruction. Without hate, without fear, Without judgement. I am no better Than you. No-one knows this better Than I do. I just got tired of playing Parlor Games.
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I always start tours with a great deal of anticipation.
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My laptop seems to know where I am, even if I don't. My cellphone asks me if I want directions to anywhere from the spot I am standing in. I buy a record online and Amazon.com sends me letters, telling me that people who bought what I bought also bought these other records.
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I was in Pakistan in Islamabad when Bhutto was assassinated, and the next day, you know, there's just plumes of smoke everywhere. I mean, Islamabad is on fire.
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I grew up with heroes, people who made me aspire to raise my game, to dream bigger and I like to keep it that simple.
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I try to get myself up and moving as early as possible. Optimum is to be on the treadmill while it is still dark outside.
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Do you know why Albert Camus was so prolific? He wrote to keep from screaming.
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When I was a kid looking at pictures of the Sphynx, and the Pyramids, and different tribes in Africa, all of that stuck with me, and I always wanted to see those things and meet those people.
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I'd like to talk to Sean Hannity in a controlled environment and say, 'O.K., you can't interrupt and jump up and down like a professional wrestler.'
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When you hear about what someone else is going through, and you are unable to distance yourself from it or in any way muzzle your empathy and are inspired to actually do something, these are moments to learn from.
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There are instances where lines in my work are borrowed or stolen from sources, mainly from books, or they become my own versions. A lot of the writing is my own, too. But if someone were to take each drawing and trace it back to its source, most of them could be traced back to a book or a text.
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My vibe was to just move forward at a really cool pace.
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But can a song stop a war? If Bob Marley and Bob Dylan couldn't do it, it can't be done.
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I'm just a guy. I get treated like I'm famous but I don't take it seriously. I take the time people take out to check me out very, very seriously.
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I see violence in myself; I've done some pretty violent things in my lifetime and I've been around some pretty severe violence all the way up to homicide.
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I just work, to the exclusion of most other things. I rarely work in a frenzied manner, just kind of - if you take the beater that whips the icing or the eggs into shape - on the upper end of medium speed, that's kind of how I am about seven days a week.
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I could fall in love with a cruel desert that kills without passion, a canyon full of scorpions, one thousand blinding arctic storms, a century sealed in a cave, a river of molten salt flowing down my throat. But never with you.
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Maybe I'm ego-tripping, but I don't find myself a particularly horrible person, so I don't think I need to hold back anything I think or feel.
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I think Naomi Klein was very astute with her book 'Shock Doctrine.' We make money on disaster.
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One of the most prevalent and undermentioned genres of music is what is known as noise. You can find it all over the world happening in basements, small venues and even some festivals. Often blown off or belittled by critics, the form for the most part goes unheard and unnoticed.