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Before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
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You want to know how to rhyme, then learn how to add. It's mathematics.
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You have to learn how to harness technology so you can use it for positive stuff without being disconnected from nature.
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I have no confidence issues with the impact or the quality of the music. No one in hip-hop, before this point and to this point, with all due respect, has done this.
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My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.
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I've been fortunate with my acting career. A lot of scripts come to me. I don't mind auditioning if something that requires that, but I haven't had to in awhile, which is a nice place to be 'cause I've been on quite a lot of auditions in my life.
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I like to read the 'Financial Times' when I'm traveling. 'Economist.' 'Ad Busters.'
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War is not civilized.
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So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
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I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
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Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.
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I ignored your aura but it grabbed me by the hand, like the moon pulled the tide, and the tide pulled the sand.
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I can't control what people think. I'm not trying to manipulate people's thoughts or sentiments. I write all the time. You have to experience life, make observations, and ask questions. It's machine-like how things are run now in hip-hop, and my ambitions are different.
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I don't rap like nobody, I don't try to sound like nobody.
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I seen her on the ave, spotted her more than once. Ass so fat that you could see it from the front.
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I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
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Creating crime rates to fill the new prisons they build Over money and religion theres more blood that spills Like the wounds of slaves in cotton fields that never heal Whats the deal?
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Homosexuality in hip-hop is an extension of homosexuality in the black community. The black community is very, very conservative when it comes to homosexuality, and I don't mean conservative in the good way, like we're saving money. I mean very intolerant.
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Persistance, dedication Consistent, motivation, resistance to stagnation of information, distribute it free to the entire population No hesitation, makin it public No privitazation from corporations
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I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.
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I don't go into any album with pressing issues. I just try to write songs.
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The responsibility of an artist is to be honest with themselves.
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Hi-Tek is on three or four songs on the new record.
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My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.