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Fear not of men because men must die. Mind over matter and soul before flesh.
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As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
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Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.
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Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
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I can't control what people think. I'm not trying to manipulate people's thoughts or sentiments. I write all the time. You have to experience life, make observations, and ask questions. It's machine-like how things are run now in hip-hop, and my ambitions are different.
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You have to learn how to harness technology so you can use it for positive stuff without being disconnected from nature.
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I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
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The way I see it, if people truly love my music, they will support me in some way down the road.
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I don't rap like nobody, I don't try to sound like nobody.
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But it becomes disrespectful when the artist's process is not respected.
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So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
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Creating crime rates to fill the new prisons they build Over money and religion theres more blood that spills Like the wounds of slaves in cotton fields that never heal Whats the deal?
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Persistance, dedication Consistent, motivation, resistance to stagnation of information, distribute it free to the entire population No hesitation, makin it public No privitazation from corporations
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I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
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I don't go into any album with pressing issues. I just try to write songs.
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Hi-Tek is on three or four songs on the new record.
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The only way for me to be an artist is to be honest in my craft. If I veer from that, I'm not giving the investors what they want. Sometimes it's my job as an artist to know what I want to do, even when the fans tell me different.
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Homosexuality in hip-hop is an extension of homosexuality in the black community. The black community is very, very conservative when it comes to homosexuality, and I don't mean conservative in the good way, like we're saving money. I mean very intolerant.
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The responsibility of an artist is to be honest with themselves.
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But even creeps deserve to live someplace halfway decent.
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And you know, art as commerce, doesn't really make too much sense, they don't go together.
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I've been fortunate with my acting career. A lot of scripts come to me. I don't mind auditioning if something that requires that, but I haven't had to in awhile, which is a nice place to be 'cause I've been on quite a lot of auditions in my life.
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My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
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I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.