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Make today's solid ground out of yesterday's quicksand.
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I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
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It wouldn't be fair to cast aspersions on an entire cultural movement based on the actions of a few. To quote my grandfather, 'One bad apple don't spoil the whole bunch.'
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I'm inspired by playwrights, novelists, poets: The value of language has been a lifelong passion of mine. I enjoy it. I'm good at it.
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You've got to validate every day. There are those who just put a stamp on it and say, "This is gonna be a good day and I'm not gonna let anything else make it a bad day."
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Why did one straw break the camel's back? Here's the secret: The million other straws underneath it.
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By the time you get into other kinds of music - R&B, country, or whatever - it becomes something that's romantic. It becomes something unattainable. Never-ending undying love. And in hip hop, we're still taking direct inspiration.
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Those who would trade in their freedom For their protection deserve neither
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Reckless capitalism kills black people.
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Just because no one can understand how you speak, Don't necessarily mean that what you be sayin is deep.
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Do the math: You never settle for less than the whole if you knew the half.
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It's possible and available to any artist to be himself or herself on their own terms, to be accepted and embraced by black people. You don't have to be a thug to get love from black people.
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What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.
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Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?
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Back in the day they stole our smile, so we clothe our teeth in gold.
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Michael Bloomberg is a sensible guy. He's just privileged. He's a goddamn billionaire, and he or his family members have never had to deal with anything as remotely degrading as stop and frisk. So he has no point of reference.
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If you go to a college campus and you do stop and frisk, you're going to find a lot of drugs there too.
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They hope for the Apocalypse like a self-fulfilling prophecy Tell me when do we stop it? Do they ask you your religion before you rent an apartment? Is the answer burning Korans so that we can defend Islamics?
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I just got a new manager. He's like, "So what do you want to do with the deejay thing?" I'm like, "The deejay thing for me is more my hobby." It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.
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Spit bars you can't touch, like tits in strip bars, get scarred, I drop hits to hit hard
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The new moon rode high in the crown of the metropolis. Shinin', like "Who on top of this?
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I know what it feels like to have the door slammed firmly in my face, so I'm cool with that.
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What else is stop and frisk? These neighborhoods are unsafe not because there's not enough cops illegally frisking people. They're not safe because of economic conditions. They're not safe because of all types of things in the government that people like Mike Bloomberg and Ray Kelly should be looking to fix instead of randomly searching kids in the hood. If you go to a college campus and you do stop and frisk, you're going to find a lot of drugs there, too.
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At its heart, music is all higher mathematics.