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They ask me what I'm writing for - I'm writing to show you what we're fighting for.
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Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?
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I don't care if Rick Ross is 40 years old -- he's a misguided 40-year-old person.
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I have a luxury of people coming to see me whether I play for the crowd or not. I don't take that lightly.
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My parents are my biggest influences. My parents and my city. Brooklyn, New York, New York City, the community I grew up. I don't feel like I'm special in that. I feel like that's everybody.
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I've always loved music and I love the language, which is a huge reason why I'm part of theater.
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My rhymes are like shot clocks, interstate cops and blood clots, my point is your flow gets stopped.
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When you have a voice and a platform and you know better, it becomes your moral obligation to support that community. And by extension, you're supporting your family.
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I'd like to work with Outkast, I'd like to work with RZA, I'd like to work with Timbaland, York, a whole bunch of people.
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I have enough rhythm to blend at this point. I have enough rhythm to blend one song into another. But man, I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
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Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
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If you ain't using all the talents God provided you with For the betterment of Man, understand, You ain't nothing but a waste.
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Harry Belafonte hit me to the Dream Defenders and I liked what they were about. When I asked them how I could help their movement, they said, "You can help by coming down here; you can tweet."
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They say that when a man faces his destiny, the destiny ends and he becomes the man that he really is.
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Hip hop is at its essence a folk music, because it speaks the language that people are still speaking at ground zero, it speaks the language that people speak on the streets.
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African art is functional, it serves a purpose. It's not a dormant. It's not a means to collect the largest cheering section. It should be healing, a source a joy. Spreading positive vibrations.
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That's what I've been trying to strive for - to draw a clear picture, to open up a new dimension.
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Coltrane had a sax, Dale Earnhardt drives a race car and everybody has their tools.
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Breathe in...inhale vapors from bright stars that shine, Breathe out...weed smoke retrace the skyline.
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I see that happening with hip hop purists now. Where you have an artist like a Kendrick [Lamar] or a Drake, who are really trying different things emotionally, different things musically, and on a mainstream level. And you have underground hip hop fans dissing it, for the simple fact that it's mainstream - not because what they're doing is whack, or what they're doing is not sincere.
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I look at the deejay thing as a tier thing. If I'm not going to compete on that level, I'm just going to do it as a hobby.
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As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
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I want to be necessary and do good works. I ain't here to waste nobody's time, because I don't want you to waste mine.
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Crack mothers, crack babies and AIDS patients Youngbloods can't spell, but they could rock you in PlayStation.