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I feel like being into the beat of your own drum has become too prominent in the culture.
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I tell people all the time, I've always loved music and I love the language, which is a huge reason why I'm part of theater. But, I didn't wanna do all of this. I would've been satisfied to do it, like, on the weekends among friends, and to have a regular job.
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If Islam's sole interest is the welfare of mankind, then Islam is the strongest advocate of human rights anywhere on Earth.
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I just don't think it's very dignified to ask people to like you. You can just wind up being somebody's ottoman.
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But there's so many things in life like women, like children, like God and family that transcends the world of hip-hop.
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Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
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There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
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Truthfully I wanna rhyme like common senseNext best thing I do a record with common sense
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Peace before everything, God before anything, Love before anything, real before everything, Home before any place, shoot before anything, Style and state radiate, Love Power slay the hate.
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This thing called rhymin' is no different than coal minin'; We both on assignment to unearth the diamond.
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It's difficult to really be an artist nowadays. People are just on another page. You have a society that needs you to say something, but they don't want to give you the environment to be able to be just a functioning, happy, normal person. It's like, the industry is at odds with you, the society is at odds with you. You start to live in this very confined box where it's like, It's "me" and "them."
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I like the fact that I can rep New York, but my style does not - I'm not trapped in a New York thing. I can do art songs with other artists and it's seamless.
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I'm an independent thinker. And I'm not the poster child for any movement. I'm trying to support whatever's right no matter where it is.
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Fame is like getting across the street. It's like, if there's nothing to be across the street for, it's a pointless destination. It's like, "I gotta get across the street, man! I gotta be there! I gotta be there!" Then you get across the street and you're like, "Yeah I'm here!" And then, that's it. Fame doesn't make you particularly happy.
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I can't take it y'all I can feel the city breathin Chest heavin, against the flesh of the evening Sigh before we die like the last train leaving
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To me, the job of the artist is to provide a useful and intelligent vocabulary for the world to be able to articulate feelings they experience everyday, and otherwise wouldn't have the means to express in a meaningful and useful way.
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Restlessness is my nemesis. It's hard to just chill and sit still.
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You can positively affect and change a social circumstance with art, and it’s vital that a change happens now.
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I'm not an artist that has a big, huge radio record that's going to be on BET. I'm not, at this point, gunning for like, "Oh, I'm gonna kill them in the first week." But as people slowly discover the album they realize it's better than a lot of what they've been listening to all year.
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There just needs to be a gay rapper who's better than everybody. That's when that question will no longer be able to be asked.
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Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.
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I've always loved rhyming. I love language.
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In the early '90s, when I really started to find my voice, I was reading a lot of books, and I was moved by the writers, like Chinua Achebe, and I wanted to be able to write rhymes that were as potent as what I was reading.
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So rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable. But, that doesn't mean there aren't a great number of artists who are doing things to change that.