Talib Kweli Quotes
Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
Quotes to Explore
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A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.
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People still don't appreciate how ephemeral success is.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
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Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.
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I've been a massive obsessive about jazz singers all my life.
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I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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We don't know where our first impressions come from or precisely what they mean, so we don't always appreciate their fragility.
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That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
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I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.
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I appreciate what I have a lot more than I did when I was younger.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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My music is jazz.
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I don't want to have to get the lesson of losing [things like health and moving about freely] to appreciate what it was.
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Everyone eats and drinks; yet only few appreciate the taste of food.
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I always had a very open mind and a very open heart. I always look for the good in everybody and the God in everybody. I play to that. And I just love people. I love the difference in people. I love getting to know people. I appreciate getting accepted myself, because I know I'm unusual. And I love the unusual in other people.
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Nearly all Americans felt they knew JFK intimately, his charm and wit regularly lighting up the television screen at home. This is why polls showed that millions of Americans took his assassination like a 'death in the family.'
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And when you go to God's house, it ain't got to be no fashion show. You just come as you are.
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Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
