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I just don't really think about death.
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I was homeless for almost a year and a half, just living in my car or bouncing around peoples' houses, going to 7-Eleven at the end of the day and asking them for the taquitos that they were going to throw out because I hadn't eaten in two days.
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As far as being onstage, commanding presence, I've always looked up to people like Axl Rose and Freddie Mercury and Paul Stanley - the rock gods. I've always wanted to be able to achieve that level of commanding nature onstage and really leading people at a show.
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My job as the host of a rock awards show is not to be as divisive as possible, but certainly you want to be able to interject your jokes and how you feel about stuff.
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If what you're writing is genuine, regardless of whether it sounds cliche or people wouldn't necessarily think it's the most brilliant metaphor in the world, it's always important to be genuine with what you're writing; at least, that's how I feel.
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I never anticipated seeing 40.
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The story of my life publicly has been told through 'Alternative Press.' Former employees, people who have worked there - my friend Ryan Downey, who wrote for 'AP' for a long time - I've been able to have really great articles written about me and talk openly about things in my life.
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Being a singer, I can easily break facial extremities, but breaking my nose in Luxembourg was extremely painful.
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I like metal because it's complicated, technical, brutal and I like the challenge.
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My whole life, I've loved '80s synth and goth rock like The Sisters of Mercy and Depeche Mode.
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I was this little kid writing songs. I look back at having that dream, and it's weird. Being able to do it and live out your dream on any scale is amazing. I don't take any of it for granted at all.
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I will say one thing: Mick Mars is one of the greatest songwriters I've ever met in my life and had the pleasure to work with.
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The image of the band has always been something that's evolved or changed with every record cycle that we've done. I think, in a lot of respects, that's because we were so interested in having a visual representation for the music that we were making.
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I don't do anything unless I think about it six months in advance.
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There is nothing more, I guess, cannibalistic than the metal or the hard rock scene, it seems.
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The only real inspiration or muse that I have is just the life that I live.
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Even if you don't like what I do, and you don't like my band, you might have a fan that likes both of us, and why would you wanna alienate them?
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We want people to know they shouldn't feel like social pariahs just because they want to dress differently or listen to rock n' roll.
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In terms of stage presence for me, I'm influenced by a myriad of things. A lot of punk performers, people like Dave Vanian from The Damned and Davey Havok from AFI was a huge influence on me when I was younger.
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I know what it's like to be an outcast in society. I know what it's like to want to find strength, and more importantly, I know what it's like to find that internal strength and rise out of the pain of being just sort of a weirdo.
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I think, on any given day, somebody could help out a homeless person and cuss out somebody that cut them off in traffic, and I think that everybody has that inside them: it's just how you live that balance - so I think everybody is 'Wretched and Divine.'
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Our music is never going to stop someone from bullying someone else. But you should be your own person.
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I came from a town of about 2,000 people with one stop light, and I was told that nothing I ever wanted to do, I would succeed in.
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I guess anybody who plays can say that they play guitar, but if you want to be a guitarist, you've got to practice all the time and you've got to get good at it. It's more than just having one and playing it.