Bright Eyes Quotes
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I think different musical collaborators bring out different qualities in my songs and I like that.
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I'm not the most technically savvy person in the world. Like, I'm not good at troubleshooting when stuff happens to my digital music.
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So I want to get myself attached to something bolted down,So that these winds of circumstance won't keep blowing me around.From when I land to when I leavethere is enough time to sleep and sing.I keep running around, when all I want is to lay motionless.
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A boycott is, inherently, a blunt instrument. It is an imperfect weapon, a carpet bomb, when all involved would prefer a surgical strike.
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When you write a song, the goal is not to convey the details of your life. You should write a memoir or something if that's what you're going to do.
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Pronouns really don't matter in a song - 'I' or 'he' or 'she' or even subscribing a lyric to an inanimate object.
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I love story songs. It's just, for me, they're harder to write, and sometimes they sound too intended or something.
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I've been part of running a label since I was a kid, so I understand how it works. But the more and more I learn about it, the less and less interested I am in it.
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I really just want to be warm yellow light that pours over everyone I love.
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I have a car in Nebraska. When I bought it, they gave me a satellite radio, and there's an 'indie-rock' station. It's just nothing I'm interested in.
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There's a lot of optimism in changing scenery, in seeing what's down the road.
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Now I believe that lovers should be draped in flowers and laid entwined together on a bed of clover and left there to sleep, left there to dream of their happiness.
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So hurry up and run to the one that you love. And blind him with your kindness. And he'll make war, oh war, On who you were before. And he'll claim all that has spoiled in your heart.
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I think in a lot of ways unconditional love is a myth. My mom's the only reason I know it's a real thing.
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As long as I can buy records and books and maybe some clothes, I'm pretty stoked. I don't need a yacht or anything.
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My feeling is that I think writers in general tend to be self-conscious and it takes a bit of a leap of faith or just not giving a sh-t to write something you know people are going to criticize.
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A lot of the mythology that sprung up around Haile Selassie, it's not like something he asked for, having people deify him. That's pretty heavy. I don't know what you do in that situation.
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Each Desaparecidos's song has a seed that it came from. We're trying to take that and broaden it out and make it resonate with people.
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I think it is more like a ghostthat has been following us both.Something vague that we're not seeing,something more like a feeling.
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I like to feel the burn of the audience's eyes when I'm whispering all my darkest secrets into the microphone.
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When you're 16 or 17, I think like most people that age, the first time you experience certain things in life, whether it's heartbreak or death or love, obviously it's going to seem like a much bigger deal.
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When I was younger, I was somewhat of an idealist. I guess I'm a little bit more of a realist now. I think there's a lot that can be done to make the world a better place, but it's more about choosing your battles.
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When I try to explain to people the big influences in my life, or at least when I first started, the most important ones were my friends who were also writing songs and were typically four or five years older than me.
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So I wait for the day when I'll hear the key as it turns in the lock And the guard will say to me, 'Oh my patient prisoner you waited for this day and finally, you are free! You are free! You are free!'