Chingon Quotes
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What I love about new technology is that it really pushes the art. It really pushes it in a way that you can't imagine until you come up with the idea. It's idea-based. You can do anything.
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I was a cartoonist when I was at university, but I decided to go into movie making knowing that I could still draw by doing movies, design work, story boards, and such.
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There are real issues going on in just about any movie that's got fun elements to it.
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Hollywood wants to own everything. I don't want to own anything. I don't want people just to make content, I want to empower and teach them to create content they own that they can exploit in any medium.
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Creative people are notoriously the slowest to adopt new technology.
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I like to keep my budgets at a certain price when I work for someone else, and even more so now that I'm working for myself, and use new technologies to deliver films that look like they have high production levels.
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Low budgets force you to be more creative. Sometimes, with too much money, time and equipment, you can over-think. My way, you can use your gut instinct.
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Any time you do action and horror, you've always got to try to find a way to make it fresh for the audience, but also for yourself, and there are so many different ways to freak people out and create tension.
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The studios don't finance anymore, they get outside funds.
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A lot of 3D movies have so much on the screen that you almost don't know where to look.
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It's rare for the studios to find a filmmaker who wants to make a family film. To find someone that has an idea, embraces it, has kids and wants to make something exciting - well, they don't see that too often.
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I get a lot done considering I spend half my day sleeping.
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It lighting the set up is quite a process. It's like drawing. It's like being an artist. You pencil it in first, and then you ink it. When you're filming, it's like you're penciling it all in. You know where everything is going to go. But, that application of the final ink takes some time.
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Don't be told something is impossible. There's always a way.
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For me, Mexploitation seemed like something that should have existed, but didn't.
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I don't think anyone can be more of a predator than a human being.
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When you make an exploitation film, you always want to have a real issue. That's how they were always done.
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I definitely want to produce more because I have a bunch of projects that I've either written or half written and I want to continue developing them and if cant direct one right away cause I'm doing something else I will love to still see it get made.
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Creativity, not money, is used to solve problems.
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If you do a film with a studio, agents step in, they start saying, 'My actor has to get this amount of money', and it becomes about deals.
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Tell everyone that your mistakes are art. You can get away with a lot that way.
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Really, children will support anything that is empowering to them.
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I want to push technology boundaries to be more efficient.
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Make DV movies so you can learn how to make films, but don't try to distribute them until they are fantastic.