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There was so much good and different music back then and you'd just keep moving through it and discovering more new stuff. I went through my Black Sabbath phase before I even started playing guitar.
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My first gig with Metallica was at San Quentin State Penitentiary.
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I guess because I had such a horrible life growing up, going from place to place not knowing what I was gonna do and ending up being homeless, there was a lot of pain and a lot of anger that was coming out through my guitar playing.
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I don't think success has changed us as people at all. We are the same lunatics that we were when this band first got going. We never see ourselves as being on a higher level than our fans.
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'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
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Just keep going like crazy and look back when it's over. Otherwise you just get confused.
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Next thing you know they'll take your thoughts away.
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The past is where its supposed to be.
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I fix things all the time. Every time I do a solo, I re-check it and correct things that don't hit the mark.
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The worst day of my life was once that my mom didn't allow me to go to a Queen concert because I was grounded.
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If I were president of the United States, I'd build a great wall along the Mexican border and not let anybody in.
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Whenever I buy a painting, someone invariably says, "Oh, what a great investment." And I hate that reaction. To me, it's a matter of love and not an exchange of equity.
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On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
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All that is, was, and will be. Universe much too big to see. Time and space never ending, disturbing thoughts, questions pending. Limitations of human understanding. Too quick to criticize, obligation to survive, we hunger to be alive. All that is, ever, ever was, will be ever twisting, turning, Through The Never. In the dark, see past our eyes. Pursuit of truth, no matter where it lies. Gazing up to the breeze of the heavens, on a quest, meaning, reason. Come to be, how it begun. All alone in the family of the sun, curiosity teasing everyone. On our home, third stone from the sun.
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It's always nice, no matter what style of music, as long as it's grooving and you feel that, I feel that's what makes... part of what makes a great song, for sure.
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What we're doing is special and unique in its own way but still keeping it heavy. For me as a listener, part of the journey I'm on with Metallica, there's just a certain edge that needs to be there.
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Nothing can duplicate the sheer power and feeling you get from standing in front of your amp and bashing on your guitar.
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Rehab is like college for your head.
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I collect books and I have some really, really old schoolbooks, and God is mentioned on every single page.
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Just like the poles of a magnet, some people are drawn to death and others are repulsed by it, but we all have to deal with it.
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Moving on, is a simple thing, what it leaves behind is hard.
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When I came into Metallica, I had to do justice to Cliff's work, but I also had to put my own signature on it. No one could be Cliff Burton; Cliff Burton was the Jimi Hendrix of bass.
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It all has to do with art - writing, painting, things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they're always poems first.
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Joe Walsh is somebody who... he's a writer, obviously, and he's a singer-songwriter, whatever, but at the end of the day, when it comes to the Eagles, he's there to play guitar, and he's there to supply whatever is needed for that band, and that is what I feel with Metallica.